1. Make a small investment in your career…

    Reap a potentially huge reward. Now, let me clarify, I’m promising you nothing but practical, useful and highly usable guidance. And it will cost you $49.00.

    What am I talking about? There’s a new Break Into Voice Over teleseminar coming up on Saturday, March 3, 2007. Yes, just a couple of days from now (as I type this post), so you have little time to sign up. Nancy Wolfson and Anna Vocino are presenting this teleseminar, just like the one I took part in a few weeks ago. (Full disclosure, I’m currently studying with Nancy.)

    The teleseminar starts at 10:00 AM Pacific, 1:00 PM Eastern, 6:00 PM UK time. There will be 90 minutes of presentation and then 30 minutes of Q & A. Whether you’re brand new or a working professional, I think you’ll find a lot of benefit in these 2 hours.

    Sign-up details are at BreakIntoVoiceover.com. Go. Register. Learn. I think you’ll see the $49.00 as a great investment in your future. I know I do since I took part in a similar teleseminar a few weeks ago.

  2. Time is running out

    If you’re going to register for VOICE 2007 at the lowest rate, you now have only about 24 hours left (or less, depending on when you’re reading this) to get it done. More than 100 of your peers are going to be there soaking up all kinds of voiceover business goodness. Don’t you think you should be there too? Register here. I look forward to seeing you there in Las Vegas in less than a month.

  3. She warned me

    When I started working with Nancy Wolfson last week (you can read about that experience just a few posts below this one) she told me that she was going to be (as she put it) bugging me constantly, now. I believed her, of course, because you can just tell Nancy is not the kind of person to make idle promises.

    So, in the last few days, she’s forwarded me another audition opportunity and written two other very encouraging notes. Both auditions, by the way, have been with The Big Fish Voice Company, an agency that really has its act together in this changing landscape of voiceover work in the 21st century. I’m very grateful that in addition to receiving my two auditions, they’ve also asked me to send them my demos. Whew!

  4. It’s about your message

    Mary McKitrick has written some thoughtful and very worthwhile comments about accents and “funny” voices on her blog. I highly recommend you take a few minutes to read her post.

  5. At least a little longer

    Tim McLaughlin has been keeping a sharp eye on the Google Audio Ads program. He offers some thoughts on his blog about what to expect from a parting of the ways between Google and CBS.

  6. Out with the Announcer

    Marc Cashman has written a thoughtful suggestion for those many times when you’re about to read a piece of copy that lists your part as “Announcer.” You’ll find his thoughts in this post at the Vox Daily blog.

  7. So far from my expectations…

    A little earlier today I took part in my first training class with Nancy Wolfson. Part of this initial class was her evaluation of my main commercial demo. Now, first a little context.

    Near the end of the teleseminar presented by Nancy Wolfson and Anna Vocino, a few weeks ago, Nancy was given a demo submitted by one of the participants of the teleseminar. She offered a live, no-holds-barred evaluation of the demo and it was very direct, very honest and (for the lady whose demo was featured) very tough to hear, I’m sure. Especially since the first, very direct, critique happened only 4 seconds into the demo playback.

    So, I had prepared myself that I would likely have a similar experience today. We said hello and almost immediately got into the demo evaluation. I could hear over the phone line as Nancy started playing my demo. 4 seconds in and she hadn’t stopped for anything yet. 10 seconds. 20 seconds. 30 seconds. 50 seconds. 60 seconds and it had played all the way through, without stopping. Nancy’s exact words at this point?

    “Wow!”

    She played the demo a second time. Again, no stopping. Her exact words?

    “Wow!”

    So I said, “I hope that’s a good wow?”

    “Yes! You have to promise me something.”

    “OK.”

    “Don’t spend a nickel fixing that demo.”

    To say that I was amazed and stunned is a major understatement. Here I was, all keyed up for a severe time in the woodshed and instead, compliments. And from a teacher for whom I already had a huge amount of respect because of all the things that my friends Blaine Parker and Kristine Oller had told me about what an excellent teacher Nancy is. As I type this, I’m still tingling from the pleasant shock.

    So that was the first 5 to 10 minutes of our 50 minutes. We then talked about some of my background and work. I told her about my excellent experiences with my current agents (The Talent Group in Pittsburgh and Cleveland) and eventually I asked Nancy about looking for additional agents as I search for more voiceover work. I told her how terrible I usually am on the phone and she said “Good, because that’s not what you want to be doing.”

    She then told me that she never does this (Her words, “OK, actually I’ve done it once before.”) and then she emailed me an audition opportunity with an agency in Denver. Which I have, of course, already recorded, (carefully following the directions for slating, file naming and emailing) and have sent along to that agency. I may be a little slow at times, but I’m not stupid. When a rare opportunity pops into my pathway, I’m going to grab it and run with it. Which is just what I’ve done.

    Now, does this mean I’ve arrived and I can just sit back and wait for people to pile sacks of money at my door? Of course not. But, in the last few years one of the key ingredients I’ve learned that we voiceover people need is confidence. The certainty that we can, in fact, deliver the goods when we’re called on to do so. Today’s experience with Nancy has given me a huge boost of confidence. Huge.

    So, what does this mean for you? Well, I certainly can’t promise an identical experience in your first class with Nancy that I had. But, if you’re serious about pursuing voiceover work, I already believed that Nancy Wolfson is the person with whom you should study. And have written about that here before. Everything that happened today just reinforced that conviction. Here’s the single biggest reason: because Nancy isn’t just about teaching voiceover techniques, though you’ll get plenty of that. She takes an overarching approach to starting a voiceover business.

    Then, it’s up to you. And yes, that means it’s up to me, too.

  8. Actor’s Tool-Kit #5

    ACTOR’S TOOL-KIT #5

    TELL ME A STORY

    by Bob Fraser

    One of the questions I get asked frequently relates to something that most actors face … interviewing with agents, managers and casting directors.

    Here’s how a typical letter reads;

    Dear Bob,

    I met with an agent yesterday and the first thing she said was “Tell me about yourself.” So I told her what my credits were, where I went to school, people I knew in the business and so on. She didn’t really listen. She said she’d let me know. I already know. She’s not interested. What did I do wrong?

    What am I supposed to say when they say, “Tell me about yourself.”

    Signed,
    Frustrated

    Dear Frustrated,

    Whatever you do, DO NOT recite your resume, where you went to school, the people you know and so on. Always keep in mind the kind of work you want to do …

    STORY TELLING

    In the case of an agent, you are interviewing a prospective salesperson for your business. It’s your job to convince a thoroughly professional salesperson (an agent) that representing your product (you) is going to produce a lot of income.

    An agent’s income depends on finding, representing and selling the best story tellers he can find. An agent learns quickly how to spot the ‘comers’ and ignore the ‘wannabes.’ The major criteria is this:

    Is this actor a good story teller?

    The observable reality? No agent can tell if you are a good story teller unless she sees you telling a story. That opening gambit – “tell me about yourself” – is an agent’s way of saying; ‘tell me a story.’

    If you don’t comply with this request, agents become like five year olds; ‘tell me a story, tell me a story, tell me a story.’

    These repetitive requests come in the guise of: “I see you went to Carnegie Tech.” “So, you’re from Connecticut.” “Oh, you worked with Woody Allen?.”

    When you hear this kind of thing it’s just the agent trying to get the ‘test drive’ started. They want you to tell them a story.

    KEEP THEIR ATTENTION

    Okay, now that you know what’s really going on, it’s time to discover what your response should be – the next time you hear those words; “Tell me about yourself.”

    What you should do is simple … TELL A STORY.

    Go through your real life experiences and start creating narratives about yourself. If you have to bend the truth a bit to keep the interest up, then so be it. Fiction is our business.

    (Don’t make up credits or relationships.)

    For instance, let us suppose that you have only one credit in a community theater production of “Sally Of The Sawdust” – and you only had two lines as Cannonball Bill. The beginning of your story might be something along these lines:

    “Well, I made my first entrance on to a stage in an unusual way – I was shot from a cannon.” (This is what we in the fiction business call a “grabber.”)

    Now spin out a story where there’s a little suspense, a little joke, a little pay-off of some kind;

    “One night we had an understudy who was supposed to say one line after I got shot onto the stage. He was supposed to say. “Hark I hear the cannon roar!” He was pretty nervous because he’d never been on stage before.

    “Anyway, when I got shot out of the cannon with a large bang, the understudy was startled and he said, “What the hell was that?”

    Don’t forget the drama! This is a scene you are playing for the agent. Rehearse it. Practice it. Play it.

    Tell a story that keeps the agent interested in the outcome and you’ll go a long ways toward convincing the agent that you are a comer.

    By the way, when I say create a narrative, I’m not talking about lying – I’m talking about taking the stories in your own life and making them memorable. Dramatic! Hilarious! Exciting! Suspenseful!

    Now practice telling your stories in such a way that the agent can’t wait for the next line. Believe me, once you ‘hook’ an agent with a well-told story, you will get what you came for; representation.

    In other words, sell the salesman.

    The same advice goes for casting directors. They are the personnel department of the company you hope to work for. The same idea applies.

    Tell a story.

    1. Get several good stories in your repertoire.
    2. Practice telling them.

    This is basic, bottom-line preparation. If you don’t have stories to tell, you are going to suffer through a lot of needless rejection.

    So the next time you hear, “Tell me about yourself.” you know all you have to do is be prepared to tell a story. Make it a good story, practice telling it, listen for the cue line and go.

    Your positive results will soar.

    NEXT INSTALLMENT: DO YOU NEED AN AGENT?

    ============================================================

    PERMISSION TO REPRINT: You may reprint articles from Actor’s Tool-Kit, on your website or electronic newsletter.

    However, in order to comply with my copyright, you must also include the following paragraph with your reprint:

    “Reprinted from ACTOR’S TOOL KIT, the email course just for subscribers of Show Biz How-To — The Free Actor’s Monthly. Get your own free subscription by going to: showbizhowto.com.
    Copyright © 2006 Bob Fraser Productions All Rights Reserved”

    ============================================================

  9. Congratulations Kara! (updated)

    As I type this post, I’m listening to the Voicey Awards Special episode of VOX Talk and just heard Kara Edwards get the award for best new voice. Good for you, Kara. You’re on your way!

    When you listen to the podcast, you’ll hear all of the winners. (Edit: Or check out the list at the Vox Daily blog.) A hearty congratulations to one and all.

    (Update: Check out the press release about Kara’s award.)

  10. Adding to the blogroll

    I’m always delighted when I run across another voiceover blog or podcast, because I want to provide links here to as many voiceover resources as possible. So, with thanks to my friend Joe for the link in the first post of this thread at the VO-BB.com, I’d like to point you to the Everything Acting Podcast, and specifically this episode featuring voiceover coach Joan Baker.

  11. A great bit of fun

    And more than a bit of learning can be heard if you check out the audio file linked in the first post in this thread at the VO-BB.com.

  12. Google Radio Ads

    Tim McLaughlin has written a couple of posts on his voiceover blog about Google Radio Ads and some of the challenges being faced by the search engine giant. The first post is here. The second post is here.

    My take is that it’s too early to write off Google, yet; but being good at one kind of media doesn’t make you good at another. That’s a lesson too often forgotten from the dot com bubble, but an important one to keep in mind.

  13. Why blog?

    Over at Vox Daily, Stephanie encourages you to start blogging about voiceover. And for that matter she encourages lots of folks to start blogging…

    I foresee that coaches will be blogging, providing some value upfront via the blog about voice overs, vocal health, and present opportunities that lead to more students signing up for their classes.

    It would be interesting to see casting directors and agents blogging as well.

    Where ever you fit in the voiceover world, I encourage you to blog. Stephanie provides a number of valuable suggestions and reasons you should be blogging in here post. I encourage you to read the whole thing.

    And if you do start a voiceover blog, drop me a comment here and let me know where to find your blog. If you do, I’ll add you to my blogroll.

  14. A voiceover audition you won’t soon forget

    I ran across this video of a voiceover audition comedy sketch today and thought you might enjoy seeing it too…

  15. I sure hope I’ll see you in Las Vegas

    The lowest price for registration to attend VOICE 2007 in Las Vegas (March 27 through 31) ends two weeks from tomorrow, February 28th. If you’re planning to be there, this would be the time to sign up.

    While you’re at the VOICE 2007 website, notice that they’ve started their own discussion forum. Sign-up is quick, simple and free. I hope I’ll see you there.

  16. 10 Blogging Mistakes to Avoid

    Thanks to the good folks at WordPress.org, the team that makes this blogging software I use, today I ran across a list of 10 Blogging Mistakes to Avoid by John Chow. Good stuff, John. Thank you.

  17. How to make people hate your marketing

    OK. I know that’s not really a big goal for any of us, but your voiceover business could suffer greatly if you’re using marketing methods that people hate. Craig Arthur’s post at American Small Business blog isn’t about voiceover, directly, but the lessons apply.

  18. Picking the right card

    In her The Actor’s Voice column of February 5, 2007, Bonnie Gillespie offers a brilliant metaphor for the casting process, a metaphor and story which underscore my long help view that voiceover work isn’t a competition. It’s giving the people looking for a voice the opportunity to pick you.

    Sometimes they will, if you’re right for the job. Sometimes, they won’t, even when you’re right for the job. Do the audition. Make the contact. Be grateful. Then move on to the next opportunity.

  19. Portable studio suggestions

    Rich Gates offers some valuable thoughts about preparing to do voiceovers while traveling, based on both research and his own experience.

  20. Kudos to my friend Ben

    My friend Ben Wilson is featured on a new television commercial. You can download or watch the Quicktime of the spot here. (It’s about 3 Meg.)

    You may remember that Ben and Dan Nachtrab were the voiceover guys with whom I had lunch a few weeks ago in Columbus, Ohio,

  21. Aim for something other than your foot

    Is it possible to hurt your your voiceover business by increasing traffic to your website? Check out the answer given by Melissa Burdon in this post at the Future Now site.

    Here’s just a quick sample…

    Let’s assume that you’re converting two percent of your visitors. Sadly, this is more or less the industry average. You can tell yourself you made two out of every hundred visitors to your site happy (you hope). You should be asking yourself how come you couldn’t make the other 98 happy.

    If your website is part of your marketing efforts for your voiceover business, as it should be, take a few minutes to read the entire article.
    (edited to fix typos and code)

  22. On another podcast

    VOX Talk is up to Vol. 12 as of this week, and in this new episode (for whatever reason) the good folks there decided to include a story I sent them. Seriously, I hope you enjoy. Listen through the online flash player or download the audio here.

  23. How to hammer home a good point

    My friend Brian Haymond hits the nail on the head with this post on his blog. Good stuff, Brian. I really liked your metaphor today.

    (Note: Even if you’re not paying careful attention today, you may notice my weakness for puns. That is all. Carry on.)

  24. Be nice, get smarter

    One of my favorite places in the blogosphere is The Nice Blog. A recent post there points out that being nice is more than just a good idea. It actually can help make you smarter and happier. Read the whole thing.

    Then, go do something nice for someone. Maybe several someones.

  25. Awards

    A fellow for whom I’ve answered a few questions in the last several months asked me a new one the other day. “Have you ever thought about becoming a voiceover coach?”

    I needed less than a second to answer. Yes, I’ve thought about it. I love helping people get better at what they do. Always have. But, I’m not really interested in coaching other talent as a profession right now for two main reasons.

    First, I have too much more I need to learn myself. I’m happy to pass along nuggets and ideas here, via email, over the phone or even in person. But, every day I learn how much more I need to learn.

    Second, I enjoy doing voiceovers myself too much to want to devote my time to teaching others how to do them.

    All of which serves as an introduction to letting you know that Voices.com has launched a website for their “Voicey Awards.” Nominate someone. Read about the awards. Get information about the judges. It’s all there at the official website of the Voicey Awards.

  26. Kudos to my friend Dan

    As my friend Dan Nachtrab notes on his blog, he’s been in the top 10 in television promo voices at Voice Island for 3 straight months. Good for you, Dan. And even better for the stations working with you.

  27. Actor’s Tool-Kit #4

    QUOTES THAT WILL HELP YOU

    by Bob Fraser

    FAILURE & TRACKS

    I’d like to pass along some words of wisdom from seven very sharp people, who have all made their way up the ladder of success by following their own advice and probably the wisdom of each of the others.

    First up is George Burns who made his living in ‘on the boards’ for about 85 years (not a bad run), who reminds us of the first law of success, in this timeless classic:

    “I’d rather be a failure at something I love … than a success at something I hate.” ~ George Burns

    This is crucial: You must love what you are doing if you ever hope to be successful at it. Most actors do not have a problem here. We all love it.

    Next is Will Rogers, probably the most beloved entertainer of all time. He reminds us that loving it is not enough – all by itself – you also have to do something about it.

    “Even if you’re on the right track, you’ll get run over if you just sit there.” ~ Will Rogers

    Like all great remarks, this one cuts right to the heart of most career problems. I don’t think I’m talking out of drama school when I suggest that most of us (actors) have a long streak of lazy. It is something we all have to work to overcome – I know I did.

    TIME & DOOR BUILDING

    The third important piece of advice comes from Milton Berle, who spent his whole life in show biz (his mother started taking him to auditions before he could walk). He imparts another critical factor – a huge piece of the puzzle:

    “If opportunity isn’t knocking, build a door” ~ Milton Berle

    This is about thinking outside the box and doing what it takes to move things forward.

    Then there is this brilliant bon mot from the typewriter of the great playwright and screenwriter, Ben Hecht.

    “Time is a circus … always packing up and moving away.” ~ Ben Hecht

    Oh, yes, it goes very quickly – so the sooner you get started the better off you are. Do something right now. Well, finish reading this article – then do something. Time is moving away.

    Now, comes one of my favorites of all time – from one of the classiest of the classic movie stars:

    “Do your job and demand your compensation … but in that order.” ~ Cary Grant

    I love the fact that Cary Grant calls it a job and then he ties it immediately to the money. For most of us, that is really the ultimate goal – acting for a paycheck. Keep that in mind every morning when you wake up.

    By the way, complaining that it’s hard won’t make it any easier. Making money will start to happen when you decide that’s what you want – and channel all your efforts in that direction. Getting paid to act is a big step … onto the right ladder.

    If you are willing to learn from a school teacher, here’s one who became famous as a humorist some 50 years ago.

    “You must learn from the mistakes of others. You cannot possibly live long enough to make them all yourself.” ~ Sam Levenson

    What this means in simple terms is read books, watch biographies, make an effort to find out how others have succeeded – then “copy” their successful strategies while trying to avoid the pitfalls they stumbled upon, long before you arrived.

    THE HUSTLE

    The great thing about copying others yourself is that you will only copy those methods that fit with your desires and needs. You won’t be in the position of having to accept someone else’s version of success. You can customize your plan for your own comfort level.

    Here is my favorite exhortation by one of the great humorists and writers of more contemporary times:

    “Contrary to popular opinion, the hustle is not a new dance step … it is an old business procedure.” ~ Fran Lebowitz

    Okay, I slipped in a writer who isn’t really in show business, but please listen to Fran. Our business is an old business. It’s a darn good idea to use that old business procedure to succeed at it.

    Let’s review:

    Love it.

    Do what needs doing.

    Build your own door.

    Start immediately.

    Keep that paycheck in mind.

    Learn from others.

    Hustle.

    And here’s one I really like:

    “Try, try again.” ~ McGuffey’s Reader

    Hey, I got a million of ‘em.

    NEXT INSTALLMENT: TELL ME A STORY

    ============================================================

    PERMISSION TO REPRINT: You may reprint articles from Actor’s Tool-Kit, on your website or electronic newsletter.

    However, in order to comply with my copyright, you must also include the following paragraph with your reprint:

    “Reprinted from ACTOR’S TOOL KIT, the email course just for subscribers of Show Biz How-To — The Free Actor’s Monthly. Get your own free subscription by going to: showbizhowto.com Copyright © 2006 Bob Fraser Productions All Rights Reserved”

    ============================================================

  28. One big pig show

    As I’ve noted elsewhere, I grew up in the farm country of north central Minnesota. During most of my Junior and Senior High School years, I worked in the summer time for my grandfather who had a hog farm in the next county north and west of where we lived. While my grandfather didn’t enter any of his hogs in the pig shows at the county fair, I saw plenty of them. Plenty of pigs. Plenty of pig shows and pig auctions and pig…well, let’s not go there.

    I mention this bit of long-ago history because Kara Edwards-Suchan draws a wonderful parallel between pig shows, life and the professional world of voiceover work, on her blog.

    Kara, I couldn’t agree more. Voiceover work is not a competition. Even more than snowflakes, every person is unique. However much some of our voices may sound alike in a superficial way, the differences in age, experience, background, talent and a host of other factors guarantees that every one of us is different from everyone else. Sometimes I’m cast for a job. Sometimes one of my friends is. Sometimes none of us are. But, there’s plenty of work for everyone with the desire, persistence and talent to do this work.

    Thanks for the thoughtful words, Kara.

    (edited to fix typo)

  29. Audio gateway

    Tim McLaughlin for points out a cool site on his blog, a site that serves as an gateway to a rich trove of information from the audio and recording newsgroups. Thanks, Tim. Good stuff.

  30. What happens in Vegas…

    Stays in Vegas. So goes the city’s famous ad slogan. But, at the end of March 2007, what happens in Vegas isn’t going to stay in Vegas. Or at least it shouldn’t. It should come home with you, and help you move your voiceover career to the next level. Of course, I’m talking about V.O.I.C.E. 2007.

    With other voiceover talent coming from as far away as Japan and Australia, you’re not likely to win a prize for traveling the farthest; but it’s going to be worth the trip however long or short it may be for you.

    I hope I’ll get a chance to meet you while we’re there.

Next Page »


Subscribe by email

Search

Categories

Archives

Blogs & Forums About Voiceover

Career

Favorite Sites

Female

Help for Blogging

Male

Other Blogs

Information



View blog authority



Site Navigation: