1. I’m not in the voiceover business

    In the marketing and advertising business there’s a famous illustration about how dangerous it can be to give the wrong answer to the question: What business are you in? The story goes that back in the middle of the Twentieth Century, the railroad companies thought they were in the railroad business; so the airlines passed them up and, at least in the United States, the railroad companies are now shadows of their former selves. (The correct answer, by the way, is that they were in the transportation business, not the railroad business.) If you have attended a marketing seminar in the last 20 year or more you’ve probably heard a variation of that story at least once.

    So what business are we in? My answer to that question was prompted in turn by a question I received in my email a few days ago from my friend Rich VanSlyke.

    In this business of being a freelance voice talent, you have to constantly seek out new clients and ask for work. The illusion is that if you get enough clients, the work will come by itself. But, you must constantly be reaching out to new people. I’ve been doing it for 7 years and I will always be doing it. That’s how it works. Correct?

    Rich,

    Here’s how I look at the answer to your question:

    1. Our highest responsibility or goal as a voice professional is to help people solve their problems. So, when I am hired for the first time by someone, I try to do more than just a great job. I try to make sure that I’ve solved all the problems for them that I can. Did they need a second or third or 20th voice? Do I know someone (or several someones) who could fit the bill or at the very least audition? What if there are changes and they don’t have any more budget to get fixes done? My answer to that one is I do the fixes for free. (Adding here, unless a job through one of my agents, in which case the my agent handles the fee negotiations.)

    2. When we help people solve problems, we become much more than just a voice for hire. We leave a sweet impression. We stick in the mind of the person who hired us. So, for example, a few weeks ago I started working for a huge corporation because a guy they just hired there remembered me from work I’d done for a company he used to work for. This was new work for me that I did NOT have to go find. It came to me. Hundreds of dollars of work, and thousands more lined up behind it in the coming year.

    3. Yes, we have to be marketing and prospecting for new clients all the time. But, if we’re doing a great job of solving problems for people, it’s must easier to get referrals, recommendations and good word-of-mouth that makes that prospecting so much easier. Easier, but still necessary. No question.

    So, I don’t know about you, but I’m in the problem-solving business. I just do voiceovers as one of the ways I help people solve problems.

  2. Brain insight

    Dr. Jill Bolte Taylor speaks about the brain. But don’t let that stop you from watching this video.

    My thanks to Tom Asacker for posting this video, thus leading me to it.

  3. Join the discussion about multiple agents

    Tracy Pattin asks what you do when you receive an audition from more than one agent? Comments are open so join the discussion at the VoiceRegistry blog.

  4. A seminar with Harlan Hogan and Elaine Clark in Portland

    The weekend of April 12th and 13th, Harlan Hogan and Elaine Clark will present a 2-day seminar in Portland, Oregon. Registration details and a link to send in your deposit are on this page of Harlan Hogan’s site.

    On Saturday, April 12th, Elaine is going to talk about Acting in the White Space.

    Reading the words is only 25% of the voice actor’s job—
    The other 75% is what you do in the ‘white space’ around those words…!

    Sunday, April 13th, Harlan will speak about The Long Haul, building a voiceover career that lasts.

    Winning an audition is great—
    a winning career even better—!

    My thanks to Stacey Stahl, owner of In Both Ears for reminding me about this upcoming event.

    (Update: edited to fix typo.)

  5. A seminar with Pat Fraley on April 5, 2008

    Pat Fraley just emailed me the following…

    ——————————————–
    Recently, I’ve been focusing on teaching critical voice over skills, which are not often available. That’s why I’m presenting the Master Comedy Performance Event, Saturday, April 5, in LA, with Candi Milo.

    85% of all Animation and Radio Dialogue Spots are Comedy driven. All other voice over genres of advertising and entertainment call upon Comedic Skills to some degree or another. It is a critical skill, and there are many valuable truisms to Comedic Voice Over Performance, which can be effectively taught.

    I’ll be teaching with the greatest and most successful performer in animation ever: Candi Milo.

    Here’s a link to more information and a Free Lesson from Candi.

    http://www.patfraley.com/CandiMilo/CandiMilo.html

    To reserve a place in the event, just e-mail me at: patfraleyteaches@aol.com

    Regards, Pat Fraley
    ————————————————-

    I’m sure this will be another great learning opportunity.

  6. Tracy Pattin’s podcast interview with me is live

    I mentioned the other day that I had a very nice conversation with Tracy Pattin, who is the blogger writing the VoiceRegistry Blog. That podcast is now live, in fact, I’m listening to it while I’m writing this post. As you’ll discover, there is a second part that will be published sometime soon. I’ll post again when you can hear that.

  7. A video on voice booth construction

    Michael Minetree has posted a video of his work building his very high quality voice booth on his Echos forum. It’s a big file (22 Meg) so even on a broadband connection it will take a while to download and play. But, I think you’ll find the wait is worth it.

    Update: Or, even better, Michael has emailed the YouTube info.

    Very interesting, Michael. I look forward to further updates as you get closer to completion of this massive project.

  8. I had such a nice chat with Tracy Pattin the other day

    Tracy blogs at Voicebank.net’s VoiceRegistry Blog. I’ve linked to several of her posts because she’s had many excellent things to say, interviews, and insights. A few days ago we exchanged several emails and then visited together on the phone for a podcast. Just a bit of the interview is posted for you to read now, and tomorrow the podcast will be live.

    Thank you for the delightful visit, Tracy. I look forward to our next connection.

  9. A glimpse into the Summerset dialect of Southwest England

    Bob Kingsley blogs under the name Somerset Bob and has published several podcasts called Somerset Life. Some of them were written by my friend and mentor Philip Banks. The others were written by Bob. All of them are virtually opaque to this set of ears, but then I’ve never before encountered this Somerset dialect of English. Whatever the case, they are an auditory delight.

    Update: Be sure to read Bob Kingsley’s comment, below, for a bit of important clarification about this accent he performs!

  10. The Soccer Mom Myth

    My friends Michele Miller and Holly Buchanan have co-written a new book that’s just been released, called The Soccer Mom Myth. Michele and Holly are two of the brightest and most insightful ladies I know. Whether you are a man or a woman, you’ll find a lot of valuable information in The Soccer Mom Myth.

    (Yes, I this post doesn’t exactly have anything to do with voiceover work. But, think about it for a few minutes. Maybe less.)

    Update: I neglected to thank Roy H. Williams and his Monday Morning Memo for March 10, 2008 for alerting me to the release of Michele and Holly’s book. Thank you, Roy. Painful or pleasant, I always look forward to reading your pieces each Monday.

  11. Plant the seeds

    When it comes to your voiceover career, of for that matter any freelance career, we’re all farmers. Growing up, I lived in the farm country of Central Minnesota. Every spring, along with lots of other things, we always planted the seeds. If we didn’t plant the seeds in the spring, we would have had no business looking for crops to harvest in the autumn. Which seeds you sow, and in what fields you sow them, is up to you.

    Tracy Pattin’s blog post about an opportunity that didn’t result exactly the way she hoped, but which was still a seed planted, was the germ that lead to this post.

    You see, when we plant the seeds, some of them bear fruit very quickly. Others take a while and some incubate for just about forever. You don’t know which is which, in fact you can’t tell. So, you can’t worry about what the outcome will be from a specific seed that you’re planting. Just like Tracy took the risk to ask for that interview, the immediate outcome isn’t the focus, taking the risk. It’s planting the seed. And just like the farmer, if you plant the seeds, you will get a harvest. Some years will be bumper crops. Some years will be pretty meager. But, ever year you’ll have a harvest. And of course, for us in the voiceover business, we don’t have to wait until Spring to plant or Autumn to harvest. We can plant and harvest any time of year. Not to mention, voiceover work is much easier than working for a living.

  12. Build-it-yourself DAW

    My friend Lou Zucaro has written a long, very detailed, and extremely helpful post on his voiceover blog about how he built his own digital audio workstation. As he says, the choices he describes are his own and might not be the same choices you would make; but there’s a lot of great information that will apply, if you decide to take this plunge.

  13. A new site from an old friend

    While I’m in Nashville for a few days on a business trip (to the National Religious Broadcasters convention) I ran in to one of my very dear friends who has been an inspiration to me for many years. He let me know that he’s just launched a new website, which I want to pass along to you. His name is Wayne Shepherd. He’s also started a blog, by the way, so I’ve added both of these links to my blogroll today.

    Welcome to the blogosphere, Wayne. I hope you know I mean that “old friend” comment in the nicest possible way!

  14. Charlie Supercat

    My good friend Charlie Glaize emails this evening that one of his new voiceover projects is being unveiled at a trade show next week, but the video is already available on YouTube.

    Charlie is the campy announcer. Good work, Charlie.

  15. VOICE 2008 update

    More and more information is coming from the VOICE 2008 conference. Here is some information about the General Session presenters.

    Friday Morning Keynote Speaker is Susan Berkley.
    Susan Berkley is a top voice-over artist whose voice has sold millions of dollars worth of products and services on TV and radio commercials. She is the telephone voice of many Fortune 100 companies. Susan is CEO of Berkley Productions, Inc., a company that provides voice mastery training for aspiring voice artists, and well as performance coaching for business and sales professionals. She is the author of Speak to Influence – How to Unlock the Hidden Power of Your Voice. Visit www.greatvoice.com to learn more about this dynamic lady! Susan is a master marketer and a darn good voice coach!!

    Keynote Speaker on Monday Morning is Pat Fraley.
    Winner of the Lifetime Achievement Award presented by the Voicey Awards in 2008, Patrick Fraley has created voices for more than 4,000 characters, placing him among the top ten performers of all time to be cast in animation. Pat teaches 700+ students a year in events, workshops, and seminars on various aspects of voiceover. His unique character voice curriculum is the only one accredited at the university level. He has taught voice for 35 years, is a member of the Voice and Speech Trainers of American and holds a Master’s of Fine Arts degree in Professional Acting from Cornell University.

    Pat Fraley is the “Voiceover King” of working outside the box! During his special guest appearance at VOICE 2008, he will reveal his “Secret Dialect System” created for voiceover. You’ll be amazed at how Pat’s dialect secrets will change the way you work with your characters! All that and even more. . . Pat is one of the nicest people we know!
    Learn more at www.patfraleyteaches.com

    Keynote Speaker on Sunday is Marc Cashman.
    Marc Cashman is one of the few voice-acting instructors in the U.S. who is on “both sides of the glass” as a Clio-winning Radio and TV commercial copywriter, producer, and casting director, and as a working voice actor. As a voice actor, he has been heard locally, regionally, nationally and internationally on radio, TV, film, documentaries, radio plays, video games and audio books. Marc has voiced thousands of commercials, dubbed foreign films, narrated dozens of audio books, and created the voices of many CD-Rom, online and video game characters. Oh, and did we mention. . . he’s a really funny guy! Find out why at www.cashmancommercials.com.

    VOICE 2008 will be August 8th through the 11th, 2008 in Los Angeles. I hope I see you there.

  16. Appearance and Substance

    My friend from just down the road a piece, Lance Blair (he lives and works in Atlanta) blogs about voiceover. It’s been a while since I visited his blog, so it was only today that I noticed this excellent post pointing out one of the keys to great voiceover work: stay focused on the meaning of the message you’re reading.

  17. Learning opportunities with Marc Cashman

    Marc Cashman emails with news of some voiceover training classes he’ll be leading. Here are the details as he sent them to me.

    Beginners – Saturdays, March 29th – May 3rd 10AM-1PM
    Intermediate – Mondays, March 31st – May 5th 7PM-10PM
    Advanced – Wednesdays, April 2nd – May 7th 7PM-10PM
    Master Class – Saturday, March 22nd, from 10AM to 5PM

    For registration details get in touch with Marc Cashman.

  18. Ben Lepley’s VGA Dreams, Episode 1

    One of the things I really like about the various connections I’ve made since I started blogging about voiceover is the way those connections lead to other connections. Here’s an example.

    Some Audio Guy’s blog is one I discovered some weeks ago and added to my blogroll. He’s stopped by to leave comments now and then, all of which are appreciated. And as I do with all of the blogs I link, I check out his blog from time to time. So, over this past weekend, he posted a video from one of his friends, Ben Lepley. I enjoyed it so much that I asked if he and Ben would mind if I posted it here, too. They were nice enough to say, yes.

    According to Some Audio Guy’s post, Ben does all the voices and all the animation. Nice work, Ben. Really nice.

  19. While we’re thinking about self-evaluation…

    My friend Dan Nachtrab emails in response to my post about Connie Terwilliger’s Self-Evaluation course. He sent me a link to a very interesting article that, at least on the surface, doesn’t seem to have much to do with voiceover work. But, think about these points…

    * framing (how you present data is as important as the data itself)
    * impact bias (overestimation of possible outcomes),
    * confirmation bias (recognising only data that supports your hypothesis)
    * loss aversion (we stand to gain more than we would lose, but our fear of loss prevents us)
    * selective perception (seeing what you want to see),and
    * rosy retrospection (integral to the repeated experience of family Christmas)

    Mighty interesting stuff. Thank you for the link, Dan.

  20. The wrong questions find the wrong answers

    My friend Blaine Parker isn’t just a brilliant voice actor (listen to his demos and you’ll see what I mean), but he’s also a superb writer. He publishes a weekly email missive called Hot Points and reading it is one of the highlights of each Monday for me. Below is the text of Blaine’s release today.

    —————————————————————————-
    HOT POINTS for The Week for March 3, 2008

    WE SOLVE CUSTOMER PROBLEMS, NOT CREATE THEM

    The number of times we hear it is staggering.

    “We ask everyone who calls how they heard about us.” Makes me want to stamp my feet and scream like a little girl whilst yanking out my hair.

    Well, maybe not.

    But close.

    Our problem: how to attract customers to our clients’ businesses. Our clients’ problem: how to service those customers. It is not our clients’ customers’ problem to provide lead sourcing. To expect customers to do so is rude and intrusive. It’s also a fabulous way for an advertiser to destroy effective marketing.

    CUSTOMERS KNOW ONLY ONE THING.

    They know what they want. They have a problem to be solved. They want the advertiser to solve it. They do not know, most of the time, how they heard about the advertiser’s business.

    Guaranteed.

    They might know they heard a radio commercial. They probably don’t know where they heard it. But if the advertiser has any presence in the marketplace, the customer has probably heard the radio commercial.

    Many times.

    Seen the billboard.

    Many times.

    Seen the newspaper ad.

    Many times.

    Seen the company’s trucks.

    Many times.

    Any business worth its salt has a media mix, with advertising all over town. They’ve been invading the customer’s conscience routinely, possibly for years. If the advertiser has been advertising with any persistence, the customer shouldn’t know how he heard about the business. The customer should simply know in his heart that this business is the one for him.

    MOREOVER, THE ADVERTISER SHOULD KNOW IN HIS HEART WHEN THE ADVERTISING IS WORKING.

    You can just tell. If new advertising is running, and the phone starts ringing or customers start coming in, guess what. The advertising works. It doesn’t matter what the customers say. I’ve had 50% of customers generated by one of my ads claim they heard it on a station where it never ran. I’ve had advertisers claim they were experiencing zero lead conversion—which we knew was untrue, because one of our own people was a customer, and was meeting other customers generated by our advertising.

    As an website customer, I’ve repeatedly been asked to source the lead. And as an ad guy, I want to be helpful. But most of the time, the websites (a) don’t have all the sourcing options available, or (b) don’t let me tell them ALL the places I heard about them.

    I’ve had client businesses where the salespeople simply make up their own answers to the lead sourcing questions.

    How do we know this?

    Because the leads were geographically impossible. You simply can’t be getting 75% of your leads from KXYZ when every one of those callers lives in an area code 100 miles south of KXYZ’s listening area.

    “THAT’S CRAZY. I NEVER ASK MY CLIENTS IF THE RADIO COMMERCIALS ARE WORKING.”

    I actually had a new radio account rep say this to me last Friday.

    We were talking about whether one of his client’s was having success. He had a vague idea that everything was going well. I said to him, “You’re not asking them how the commercials are doing, are you?”

    That’s when he told me that was a crazy question.

    “I’ll hear from them if it’s NOT working. And they’ll buy more time if it IS working. But I never ask them if our commercials are doing the job.”

    I thanked him profusely.

    Just like a business will know if their advertising is effective, an account rep can tell if his client is happy—all without sticking a needle in him that says, “Hey, how are WE doing for you?”

    All that does is plant a seed of doubt in the client’s mind.

    And once the seed of doubt is planted, it gets to germinate and sprout a big, leafy tree full of questions.

    OURS IS A BUSINESS OF FAITH.

    We have to have faith in our media and our creative product. Our clients have to have share our faith. And we don’t do anything to reinforce their faith by letting them endlessly question us and their customers.

    Yes, inquiry has its place.

    But the questions need to be smart.

    And so does the evaluation process.

    And the only way that shows up is in the numbers.

    Are the ads running? Is business up?

    The ads are working. Pure and simple. But under those exact circumstances, guess what happens when an advertiser has no faith and starts interrogating customers?

    The advertising fails.

    Because the answers will never be the ones an insecure advertiser wants to hear.

    As always,
    Blaine Parker
    Your Short, Fat Creative Director in
    Los Angeles
    ——————————————————————-
    If you’d like to start getting Blaine’s Hot Points each Monday, click through to his website, send him and email and ask him to add you to his distribution list. And thank you, Blaine for permission to publish this tasty treat today.

  21. What can Amazon.com teach voice actors?

    I’m not going to spell it all out for you, but spend some time reading over Bryan Eisenberg’s insightful post surveying the changing face of Amazon.com’s Add-To-Cart button and I think you’ll get some idea.

    Here is one key line from the post…

    Just because Amazon does it, doesn’t mean you should. They make decisions based on their business needs, not yours.

    Sweat the small stuff. It can be amazingly important.

  22. The vital art of self-evaluation

    There were many highlights during VOICE 2007, but one I’ll not quickly forget was the presentation by my friend Connie Terwilliger on Self-Evaluation. Connie is now making that presentation available as a 2-CD set on her web site.

  23. Ellen McLain talks about game voiceovers

    Ellen McLain is interviewed by IGN.com about her work in the game Portal.

  24. Behind the scenes at a game show

    My friend and mentor Philip Banks has posted a delightful story on the VO-BB about a day spent working as the voiceover for a game show taping. Wonderful insights about both the fun and the other bits involved in such an enterprise.

  25. Podcasting for voice actors

    My friend Frank Frederick has written an excellent article on podcasting over at Voice Over Xtra. Lots of good ideas here. Thank you Frank, and thank you John Florian for your excellent site. If you haven’t signed up for Voice Over Xtra, why not do it today?

  26. You have a nice voice

    Ever hear that? Are you wondering if that means you should try to pursue some voiceover work? Check out the blog post from my friend Bryan Cox for some insights into the answer to that question. And while you’re there, be sure you read the comments from J. S. Gilbert. After you’ve been there, I’d be interested to read what you think.

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