My friend Blaine Parker, who runs Slow Burn Marketing with his wife Honey Parker, writes a weekly email newsletter. I’ve asked his permission to re-publish this week’s edition because it’s so extremely valuable to those of us doing voiceover work.
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SEARING WHITE HOT BRAND
Sunday afternoon, I stumbled upon a Food Network series that tells the stories of their TV personalities.
The episode in question was about the life and career of Guy Fieri.
What came out of that program was a striking lesson in brand authenticity.
If you’re not sure who Guy is, you may have seen him hosting one of the single most popular shows on the Food Network, Diners, Drive-Ins and Dives. He’s a loud, happy, joking guy with spiky blond hair, a goatee, and a fondness for wrap-around sunglasses, bowling shirts and bling.
Guy’s own cooking is wild. His Johnny Garlic Pasta Grill restaurants offer a bold and brash menu of items like deep-fried artichoke hearts, Cajun chicken Alfredo, and Lava Shrimp Sautee. His Tex Wasabi’s Sushi BBQ restaurants are as twisted as it gets, ranging from ribs & steak to nigiri & maki to items like the Jackass Roll, which is a rice & tapioca paper sushi roll of barbecued pulled pork, French fries, and avocado with a garlic chili mayo sauce.
A JACKASS CASH COW
Of all the celebrity chefs who populate the Food Network’s programming, Guy Fieri is the one whom you’re most likely to want to sit down and have a beer with.
That, or you find him the most infuriating.
Guy Fieri’s brand simply isn’t for everyone.
But the thing that’s really stunning about Guy is that his brand is The Real Deal.
He is not a manufactured personality. He isn’t the product of executive consultation. He is exactly who he appears to be: a tattooed nutcase with a kitchen ladle.
His menus reflect that.
And his personality permeates everything about the Guy Fieri brand.
AUTHENTICITY IS KING
Previously, we’ve talked about how important brand is to even the smallest business. Knowing who you are and how you’re going to convey that to your public is key.
So many small businesses, especially in radio advertising where so many of us live, have no brand identity.
They think because they have a logo or a jingle or a lame slogan, they have a brand.
“For all your widget needs” is not a brand. It’s lazy, sloppy thinking.
A brand is huge.
A brand is who you are and what you mean to people.
In the case of Guy Fieri, the brand is a crazy guy with a nutty sense of humor who feeds people in a fun, bold and flavorful way.
GUY FIERI REALLY IS THE GREAT OZ
That’s why he’s such a great example of branding: the wild and crazy restaurant brands of Johnny Garlic and Tex Wasabi would be forced and inauthentic and probably not too successful–if there weren’t an equally wild and crazy man behind them.
When Dorothy & Toto pulled back the curtain, they found a pathetic old man pulling levers and blowing smoke.
You pull back the curtain at Johnny Garlic’s, and there’s a wackjob whose flames are even bigger than in the kitchen.
That’s not to say every business owner is Mr. Toad, and every business’s brand needs to be his Wild Ride. That would be silly.
The point is that every small business brand is in some way a reflection of the business owner’s personality–and that personality typically infuses everything that happens in the business.
TAKE 10% OF YOUR PERSONALITY, AND MAGNIFY IT 100 TIMES
This is actually a piece of advice that a popular Hollywood comedy coach gives to aspiring stand-up comics.
Her lesson is that stand-up comedy is all about persona.
To be more marketing-oriented about it, stand-up comedy is all about brand.
Is your preferred brand Larry the Cable Guy, Steve Martin or Andrew Dice Clay?
Each of those comics has a distinct onstage personality. Their comedy reflects that personality. There is no confusing the brands. And each brand means something specific to the customer.
The Virgin airlines brand is in so many ways a reflection of Richard Branson. And like Sir Richard, the brand is sophisticated yet approachable, with equal parts refinement and fun.
OK, you ask. What about companies where the man running the company isn’t out front and isn’t a big personality?
YOU ARE NOW FREE TO MOVE ABOUT THE BRAND
Look at Southwest Airlines.
Herb Kelleher is the co-founder and former CEO. He is a tall, gray-haired man who, if you called up Central Casting and asked for a grandfather, would land on your soundstage.
He is not Guy Fieri, Steve Martin or even Richard Branson. He’s a lawyer from Haddon Heights, New Jersey who’s married with four grown kids.
But his no-nonsense, down-to-earth approach to the idea of Southwest Airlines informs everything about what happens there and has happened there since 1969.
Herb Kelleher is a pragmatist with a colorful personality, and Southwest is a pragmatic, colorful airline.
The airline reflects his personality and his mission to keep prices down while keeping a sense of humor about business.
Southwest and Virgin might be big companies. But what happens there also happens in every small business everywhere–as evidenced by Johnny Garlic and Tex Wasabi. They are distillations of Guy Fieri’s personality.
EVERY SMALL BUSINESS HAS A BRAND WAITING TO BE UNCOVERED
And most small business advertising professionals never take the time to uncover it.
Branding is a process of sugaring down.
In the making of maple syrup, “sugaring down” means boiling 10 gallons of sap until you finally have one quart of actual maple syrup.
That’s a 40:1 ratio of raw material to end product.
In working with a small business, the advertising consultant needs to gather roughly 40 gallons of brand identity sap and boil it down until they finally find the essence–that one quart of potent, flavorful syrup that becomes the brand.
And it’s always going to start with the business owner.
That individual’s personality is the core of the brand.
How they run the company, what they choose to sell, how they treat their customers, their philosophy on life–everything about all those business choices is the basis for brand. That, and the kind of person the business owner is. These are gold.
ACTUAL GOLD–NOT FOOL’S GOLD
These are not things you can fake.
These are the essential components to brand authenticity.
And they MUST be found before any truly effective advertising campaign can take place.
To borrow from a Fortune magazine article written in May of 2007, “Playing the authenticity game in a sophisticated way has become a requirement for every marketer, because the opposite of real isn’t fake–it’s cynicism.”
I would argue slightly with the wording here. I’d say the opposite of authenticity is fakery, and it leads to cynicism.
But I’m splitting hairs.
Because the real challenge is that we already have plenty of cynics listening to our advertising.
Wouldn’t it be nice to melt those cynical hearts to the point of unfreezing their wallets–and in the process of creating brand giants of small business?
Brand is essential, authenticity is king, and you can take that to the bank wrapped in a Tex Wasabi Jackass Roll.
As always,
Blaine Parker
Your Short, Fat Creative Director in
Park City
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In our email exchange about my request to republish this article Blaine commented that many voice talent have become commodities. My reply to that thought was:
Commodity. That is one thing I am not and do not ever wish to be. The only answer to that dilemma is to pursue the voice work that’s for me, not the voice work that’s for a “middle-aged guy with a nice voice.” I am the world’s exclusive source for voiceovers by Bob Souer; but, there are tens of thousands of other middle-aged guys with nice voices. So, if you’re looking for a middle-aged guy with a nice voice, yes, I fit that description. But listen to my demos. If that’s the sound you’re looking for, call me. You won’t find that anywhere else.
(edited to fix typo)
Nancy Wolfson says
Blaine once again proves how the core of his wickedly entertaining style and the content of his sharply informative product make him even hotter than that Wasabi. WONDERFUL POST, gentlemen…thank you!
Bob says
Nancy,
Thank you. Both Blaine and I have benefited greatly from our work with you!
Be well,
Bob
J.S. Gilbert says
Point by point, I won’t disagree with what’s said in this article and as someone who attends dozens of conventions, workshops and meetings per year dedicated to “branding”, my thought is that “branding” can and often tends to become a catch phrase, by which businesses and individuals become overly concerned with graphics, fonts, colors, packaging and tag lines. To quote Starkist, “Starkist wants tunas that taste good.”
For every Guy Fieri out there, there’s hundreds if not thousands of other “Guy” wannabe’s. It’s one thing to be “the real deal”, but if they’re not buying your real deal, then what do you do? Guy is genuinely entertaining. I watched him progress through the Food network Star show and watched his recent biography. He is very entertaining. He not only knows how to cook, he is inventive and people want to eat what he eats. He also seems to be able to share the stage quite well and has little problem letting others arund him be stars. Very much the real deal.
We hear all the time about “do what you want and the money will come”. Quite frankly there are millions of people who have tried doing what they love and the money didn’t come. There’s also a lot of other people who may not love what they do so much, but can make a ton of money doing it.
As an advertising professional who has been at it for many, many years and as a professional voice talent, I find that far too often “branding” seems to pop up as the holy grail. Indeed branding may work for a few voice talent, but in general, more talent might be served by taking less attention off of self and start looking at presenting themselves more as problem solvers. The interesting thing that many talent may not know is how the brand can also backfire. If the talent hasn’t developed a strong craft, doesn’t understand work flow procedures or the marketplace, their brand may just make them more recognizable as the talent we will never hire. Another problem happens because the system of auditioning and hiring generally relates to the name of the actor and not their brand. The association between the two is often lost.
In Guy Fieri’s case, the brand doesn’t appear to be something devised or invented, but seems to have been organically developed. Perhaps it’s more of a mental impression rather than a brand.
“Nobody ever got into trouble for hiring J.S. Gilbert”, isn’t a brand, but the takeaway from dedicating myself 24/7 to being as valuable to my clients as possible.
When mediocrity seems to be the heights to which many are willing to clmb, perhaps one should see what excellence can do for them as a brand.
Bob says
J.S.,
I always enjoy hearing from you. I quite agree that a brand is no substitute for excellence and being able to deliver the goods when the mic is on.
Be well,
Bob
Nancy Wolfson says
I never get deep into branding folks until AFTER their skills are solidly in place. No point in packaging something to take to market until there’s something well worth packaging and selling. What was such a delight about branding both Blaine and Bob is that they worked relentlessly to enhance their “goods,” making our marketing effort on them fun, effective, and honest.
Michael Rankins says
Guy Fieri lives right in my neck of the woods. While I don’t know him personally (I’ve seen him around town, and have dined at his restaurants), we have mutual acquaintances. All of whom will attest that Guy — love him or don’t — is pretty much in everyday person as you see him on TV.
Thanks for sharing Blaine’s article, Bob!
Michael
Craig Crumpton says
Funny, whenever I hear the word “branding” I get the painful image of cattle being singed with the business end of a hot steel rod.
And sometimes a brand can be a stereotype, which can cause one not to get booked for projects if one is identified with a specific type of voice work — just like Don LaFontaine had to remarket himself when he got pigeonholed strictly as the “the movie trailer guy” because the market had become oversaturated with that type trailer voice.
I’ve been in VO workshops with promo announcers and commercial VO people who want to be cartoon voice actors, and with vocal mimics who think that they can break into the industry by doing celebrity soundalikes. Then there’s VO people like me who seem to have a broad range and variety of styles and thus have a hard time focusing on a specific market and end up spreading myself too thin and sometimes offering the wrong type reads for auditions because he neglected his training and instruction.
It’s nice to have reminders like this to pause and refocus on what’s most important and what’s genuinely and uniquely me. Thanks for reposting, Bob, and to Blaine for such well-spoken words.
– Craig
Bob says
Craig,
No question, it’s much easier to hit your target when you limit yourself to just one target … and you aim at it … and practice until you are consistent at hitting it.
Be well,
Bob
Debbe Hirata says
Have enjoyed all the comments … branding seems to come from the essence of that which is branded, be it popcorn, a cell phone company or a voice over talent. That essence is always present, in every crunch of popcorn, in every phone call and in every voice over. The point is, there are many applications but one essence. That, to me, is where the brand lives and has its being.
Blaine Parker says
Nice to see one inane ramble slapped together in a caffeine-fueled stupor can elicit so much excellent and thoughtful response.
Nancy, thank you for your kind words. As one of your biggest fans, I’m glad to have you in my corner.
“Nobody ever got into trouble for hiring J.S. Gilbert.” I love that. It’s an anti-brand. I think you need to use that.
“…there are many applications but one essence. That, to me, is where the brand lives and has its being.” Elegantly put.
And Bob, thanks once again for deeming my work worthy of reposting, as well as for having a place where the smart VO people gather.
Cheers,
bp
Veronica March says
Lunching with a Sr. TV Producer from a top U.S. ad agency, I was expressing my desire to build my VO footprint nationally while maintaining residence in Minneapolis. He said, “You are competing with thousands of VO talent in LA and NY- writers and producers can choose from an endless pool of talent right under their noses.” I responded confidently, “But they don’t have MY voice unless they look beyond.”
Just as Bob is “the world’s exclusive source for voiceovers by Bob Souer”, so too am I the world’s exclusive source for VO by Veronica March.
I’m counting on the right people looking beyond to find that source.
VM
Bob says
Veronica,
Very well said. And the cool thing is, they do look beyond. Not all the time, but so what? Some bright folks are looking outside the top 2 markets for their talent and they are finding us.
Good for you, Veronica!
Be well,
Bob