I received a note today from Matthew McGlynn over at RecordingHacks.com about a microphone shootout they’ve just published comparing condenser micrphones that sell for under $200. Quite interesting reading, I think, especially if you’re just getting started in your voiceover studies and/or work and need something that will sound good, but won’t break your bank in the process.
If you’ve been thinking about getting WORD2WAV, a fabulous program for anyone who does lots of telephony and eLearning narration work (the kind of thing where you’re producing hundreds or even thousands of small audio files with specific names for each file), there’s some good news coming out for you today.
This just came from Hervé F. Chain, the man behind WORD2WAV. ————————————- If you like Word2WAV but don’t think you can justify a full license, consider the new Pay-Per-Click license!
$75 will allow you record up to 1,000 files. Take as long as you need to record them — There is no time limit.
And this 1,000-file limit is added to whatever is left from the 500-file Trial, so you can have up to 1,500 files available for your next project(s).
Once this limit has been reached, you can add one or several 1000-file segments for $35 each.
Get a $50 credit if you upgrade to a Professional or International license, or a $25 credit if you upgrade to a Standard license.
Any questions or comments, email support@word2wav.com ————————————-
There are lots of voiceover people who worked in radio at one time for whom dealing with the basics of the “technical bits” of voiceover (how to connect the cables, how to record and edit the audio, etc.) isn’t terribly difficult or terrifying. But, for lots of people working in voiceover, without any technical background at all, it can be a real challenge to figure out these “technical bits”; which is why I warmly recommend Dan Friedman’s book Sound Advice.
I also highly recommend you read Dan’s blog post about the writing of Sound Advice. Good stuff, Dan. Your book has been a real help to me, too.
The folks at Recording Hacks have posted a fascinating shootout of ribbon microphones in a voiceover session. Excellent stuff. My thanks to Matthew McGynn for the heads up via email.
My friend Michael Minetree is a guy filled with excellent ideas and he’s willing to give away at least some of them. Here is part 1 of a tutorial he’s recording on how to use the free cross-platform audio editor Audacity.
Pro Tools is a very popular recording application. I’m not posting this today to try to stir any wars about which audio software is best, because what works for you is what you should use. But, if you have a copy of Pro Tools but you’re not sure it’s a good fit for your voiceover work, my friend Steve Cunningham has some thoughts for you about the various myths about Pro Tools you may hear from time to time. Well worth a few minutes of your time.
I know, it’s become such an overused phrase, but in this case it’s literally true that there’s an app for voiceover casting. John Florian emails to say details are at VoiceOverXtra.
And you need to record audio, check out the list of apps at Actors and Crew and in particular the FiRe app by Audiofile Engineering, that’s on their list. My thanks to my friend Mary McKitrick for posting the link on the VO-BB.
And my friend Bruce Miles points out on the VO-BB that B&H Photo sells a set of bushings that will convert the video mount to a microphone compatible mount, too.
Matthew McGlynn emails with news about a new video and blog post that features three tube microphones in head to head to head comparison.
The full story is at the Recording Hacks blog. By the way, as part of that blog post, you can download the uncompressed WAV files for each of the microphones to you can hear for yourself the full audio details.
Audio monitors that is. For your audio studio. My friend Brian Hart details his work building said stands on his blog. Great work, Brian. Thanks for posting so we all can see and learn.