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Career Advice

Nancy Wolfson Audition Critiques – one last chance!

Career Advice, General, People

Nancy Wolfson did something pretty exciting this week: A live teleseminar where she spent 2 solid hours reviewing real voice over auditions just before they were submitted. It’s too late to take part in the live teleseminar because that was Tuesday, but until Friday you can still get an MP3 copy of the entire event.

Here are all the details about getting this teleseminar as an MP3.

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Registration is open for Faffcon 3

Career Advice, General

And I hope you will join us in Hershey/Harrisburg, PA for this exceptional voiceover unconference called Faffcon, September 24th and 25th. Registration is under way and getting your early-bird discount now means you won’t have to rush at the last minute.

Maybe you’ve never heard of Faffcon? Or even that term “unconference.” You’ll find comments here from a number of attendees at previous Faffcon events. And there’s also more information about who should come to Faffcon on the site.

If you’re a working voiceover professional, you’re welcome. Come to learn. Come to give. You will leave with more than you expect, no matter how high your expectations.

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Nancy Wolfson Audition Critiques – last chance to register!

Career Advice, General, People

Nancy Wolfson is doing something pretty exciting for this week: A live teleseminar where she reviews real voice over auditions just before the auditions are submitted.

Here are all the details about this live teleseminar.

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Character voice actor or doing funny voices

Career Advice, General, Getting started in Voiceover, People

Kevin Delaney speaks about the difference between working as a voice actor doing a character and just “doing funny voices” at his blog.

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Perspective on failure

Career Advice, General

There’s a phrase that’s become quite popular in the last several years …

Failure is not an option.

Really? Are you a human being like I am? Then failure isn’t just an option, it’s a slam-dunk certainty.

Now, let me be clear. I don’t mean that you will always fail at everything you attempt. Of course not. People are capable of amazing achievements, but only when they put failure into the right perspective. Failure will happen. And the more successful you are, the more frequently you will fail.

You see, the reason I don’t like “failure is not an option” is because of something I heard from Zig Ziglar years ago.

Anything worth doing is worth doing poorly … until you learn to do it well.

Now there’s the point of view that makes the most sense to me. You have to learn to fail in order to learn to succeed. Otherwise, the first time you fail you think it’s all over. It’s not. It’s how you react to failure that makes the difference between never reaching your goal and eventually reaching it.

Why am I talking about failure so much? Because our lives in voiceover are filled with failure.

Filled with failure? Prove it.

OK.

Do you book everything you audition for? Do you get work from everyone you contact about doing voiceover work? Do I really need to ask any more questions?

My friend Pam Tierney wrote a blog post the other day called Falling that captures the essential truth of what I’m trying to say. Put your failures into perspective. Your voiceover business doesn’t rise or fall on any single failure. Nor any single success. This is not a sprint. We’re in this for the long run. Learn from each failure then put it behind you and move on. Stay with it. Keep moving. Make some kind of progress every day. You’ll get there.

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A coach for all time

Career Advice, General, Getting started in Voiceover

I’ve mentioned voiceover coaches here a number of times, but today I’d like to point you to a blog post by my friend Dan Friedman that makes a very good point about “The best voiceover coach.”

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Nancy Wolfson Audition Critiques – exclusive teleseminar!

Career Advice, General, People

Nancy Wolfson has just announced something pretty exciting for next week: A live teleseminar during which she reviews real voice over auditions just before the auditions are submitted.

Here are all the details about this live teleseminar.

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Do the Work

Career Advice, General, Getting started in Voiceover

Several times in the past I’ve written about one of the key truths of voiceover: “It’s not about you.” And it’s not. It’s about your client and his or her or their story.

I’ve been reading a fabulous new book from Steven Pressfield called “Do the Work” (link is an affiliate link to the Amazon Kindle edition) which is published by the new publishing project from Seth Godin called Domino. In the middle of the book I ran across this quote:

A professional does not take success or failure personally.

That really hit me between the eyes. It’s so easy to imagine that all the hard work we put in (to find new clients, to delight our existing clients to encourage them to keep coming back, to meet or exceed deadlines, etc.) somehow means that we are personally responsible for whatever success we experience. On the other hand, when things are quiet and the phone isn’t ringing at the same time the inbox is strangely empty of anything but notes from your family and the occasional bit of spam that slips past your filters, we are again personally responsible.

Now, there’s some value to taking responsibility for our own behaviors that are either productive or destructive. But it seems to me, ultimately, that Steven Pressfield is right. It’s not about you. Success. Failure. You can’t really control this stuff. All you can control is what you are doing.

Are you keeping your promises? Are you doing everything possible to delight your clients? Are you moving forward and making progress toward your goals every day? Then keep it up. If you’re not, then start.

Meanwhile I highly recommend Steven Pressfield’s book “Do the Work. You can get it from Amazon in Kindle format or as a hardback book.

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Marice Tobias NYC Seminar

Career Advice, General, People

Marice Tobias will be in New York at Star Trax later this month.

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New audiobook teleseminar MP3 released

Career Advice, General

Dan O’Day has just released a new MP3 of his teleseminar on audiobooks with Barbara Rosenblat. If you’re seriously interested in learning how to work in the growing field of audiobooks, this 2 hour and 20 minute MP3 teleseminar recording will be an excellent investment for you.

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It’s not a straight line

Career Advice, General, People

A week ago I was in England for the weekend to visit with a number of voiceover people from the UK and to meet some of the other folks involved in voiceover work there at an event called VOX. It was great fun, but one of the things that stuck with me actually took place not during VOX, but on the way there and back. On my flight I had one of those little video displays attached to the back of the seat in front of me, which was rather nice. Since I knew I would sleep most of the way going to the UK (the flight is overnight and you arrive in the morning UK time) I set my display to the GPS setting, which showed a rotating set of images displaying where the plane was relative to both the airport we left (Philadelphia) and where we were going (Manchester, UK).

The thing that stuck with me is this: the fastest and most efficient route from the USA to the UK is not a straight line. And in fact, on the display that showed things really zoomed in, it was clear that there were little corrections being made all the way across; so not only wasn’t it a straight line, it wasn’t even a smoothly curved line.

My friend Pam Tierney has just written an excellent blog post that makes a similar point called Recalculating. Well worth a few minutes of your time.

Your life in voiceover is just about never going to proceed in a smooth, single direction. There will be loads of adjustments and sometimes even U-turns. The key is to remain calm, stay focused and keep moving ahead. Getting annoyed won’t help. There is real power in optimism. You have to believe you will succeed.

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Play and work

Career Advice, General

Richard Horvitz is an amazing actor and an exceptionally good teacher. Right now Dan O’Day has an MP3 seminar that you can download instantly called “How to get as much voice over work as you can handle by learning how to play” featuring the insights of Richard Horvitz. I was there when this seminar was presented and I can say without reservation it was a superb presentation.

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Your brand

Career Advice, General, People

My friend Blaine Parker writes a weekly screed he calls HOT POINTS. (You can sign up for his weekly screed at that link.) The focus is on advertising and marketing, but now and then he ends up writing about voiceover. Today’s edition is an example. He’s given me explicit permission to quote him, so here goes:

HOT POINTS for The Week of May 16, 2011

 

 

PEOPLE FREQUENTLY LABOR UNDER THE MISCONCEPTION THAT A BRAND IS A LOGO

 

Or a brand is a font.

 

Or a brand is a color or a slogan.

As you probably know, a brand is none of the above.

A brand, ultimately, is how you want people to feel about your business.

Recently, I had the opportunity to again witness the power of a potent brand in action–a brand that has neither a logo nor a font, nor a color nor a slogan.

The brand is a man.

 

This man has built an iconic, world-class brand following of devotees who will go to great lengths to buy what he is selling.

HAVING A PARTY ON ISLAND TIME 
I recently spent four days at the New Orleans Jazz & Heritage Festival.

If you’ve never heard of Jazz Fest (sponsored in part by the iconic petroleum brand, Shell), it’s often recognized as the finest music festival in the nation.

 

Held at the New Orleans racetrack over two long weekends, the festival totals 7 days, 8 hours a day, of 10 stages going full bore with some of the finest music anywhere–jazz, rock, funk, hip-hop, folk, zydeco, gospel and blues, as well as derivatives thereof. (For example, one of the acts that’s been playing for 20 years is a band offering a wild fusion of jazz, rock and klezmer music.)

The festival’s main stage (brought to you by the iconic luxury automobile brand, Acura) features the biggest artists, and always offers a major, headlining act at the end of the day.

The second Saturday’s headliner was Jimmy Buffett–a man who is the living embodiment of persona-based brand.

On most days, early in the day, it’s fairly easy to move around the crowd in front of the Acura stage.

 

But when Jimmy plays, it’s a different story.

 

 

THE PARROTHEADS BEGIN CROWDING THE STAGE EARLY IN THE DAY

 

Even though Jimmy doesn’t go on until 5:25pm, his tribe is already gathering by noon.

 

By 4:25 pm, when the famed New Orleans pianist, songwriter and music producer Allen Toussaint is performing his set, it’s difficult to move through the crowd that is jamming the acreage in front of the stage.

 

The Parrotheads are out in full tribal force, carrying their battle flags from places like Key West, the Bahamas, and the Virgin Islands. Rainbow streamers, windsocks and beach balls abound.

 

While the crowd is not there to see Allen Toussaint per se, they have no problem with him–especially when he plays his song, “I Wanna Hang With Jimmy Buffett.”

 

By the time Jimmy takes the stage an hour later, this end of the racetrack is a veritable Caribbean sea of humanity. Easily, there must be 30,000 people jammed into this section of the infield.

 

When Jimmy finally comes to the stage, the noise is joyfully deafening.

 

 

THE MAN ARRIVES IN FULL BRAND DRESS…

 

For Jimmy, that means cargo shorts and a T-shirt, bare feet, a Saints cap in obeisance to the local gods of the Superdome, and a pair of aviator shades. (Note the aviator shades, please. These will surface again.)

 

Jimmy, of course, plays his hits. And it is clearly evident why he named an album of his greatest hits, Songs You Know By Heart. A huge portion of the crowd is singing along. (In a live album from years ago, Jimmy jokingly admonishes a crowd in Atlanta, saying, “It’s not nice when you beat Jimmy to the words of his own song.”)

 

But when the anthem comes, it’s truly something to see. 30,000-plus people standing on their feet, joyfully singing along to “Margaritaville.”

 

And when the chorus comes along, after Jimmy sings the line, “Looking for my lost shaker of salt,” it’s crazy.

 

A sea of people, none of whom have been instructed in any way to do this, points 30,000 index fingers into the air and yells, “Salt! Salt! Salt!”

 

That’s not in the song, friends. It’s something these crowds simply began doing on their own.

 

From the pit in front of the enormous stage to the line of porta-potties a football-field away at the back of the fairgrounds, to see 30,000 people in joy and synchronicity just spontaneously erupt in fun is quite a sight.

 

 

ALL BECAUSE OF A WELL-CRAFTED BRAND THAT HAPPENED ALMOST BY ACCIDENT

 

Jimmy used to play country music. A native of Mobile, he began his career in Nashville. Then he made a trip to Key West in the early ’70s. That changed things. The blend of island and country music he plays is often called “gulf & western.”

 

Once upon a time, a friend of mine was going on at an open mic night in the south. Jimmy was coming off the stage. My friend says he told Jimmy, “You really have to stop playing all this island stuff. That’s not what people want to hear. They want Donovan.”

 

Good thing Jimmy had confidence in his brand direction.

 

Because the Donovan-free Jimmy Buffett brand now earns him an estimated $100 million per year.

 

And yet, when you think of Jimmy Buffet, you don’t think of a logo, a font, a color or a slogan.

 

The Jimmy Buffett brand is a kicked back island lifestyle.

 

It’s a place in the sun where most people never get to go.

 

It’s a momentary escape, especially for people who work in high-pressure jobs. (There is a high incidence of ER doctors and nurses in Jimmy’s following.)

 

 

GRANTED, THE BRAND HAS EXPANDED SOME

 

There are now some more traditionally packaged aspects to the brand.

 

The chain of Margaritaville restaurants and the Anheuser-Busch-brewed Land Shark Lager are examples of more traditionally branded efforts as brand is commonly understood.

 

And recently, Jimmy launched a line of Margaritaville sunglasses. (Remember those aviator shades from earlier?)

 

If you aspire to the Jimmy Buffett lifestyle, you may not be able to pilot your own Grumman Albatross from St. Bart’s to St. Kitts, but you can plunk down a 140 bucks for the same pilot’s sunglasses that Jimmy wears in his show.

 

But long before the beer and the restaurants and the sunglasses, there was just Jimmy–a businessman who understood his brand, wasn’t afraid to commit, wasn’t afraid his brand wasn’t for everyone, wasn’t afraid he wouldn’t win the Donovan fans.

 

 

KNOW THYSELF, KNOW THINE BRAND

 

As a footnote to all this, consider my friend who told Jimmy to stop singing “all this island stuff.”

 

He happened to be singing at the time himself. He did not continue his career as a singer. He is now a character actor in Hollywood.

 

And he’s quite happy to be a Hollywood brand.

 

He’s a big, dangerous looking guy who’s been shot, stabbed, killed, incarcerated, and performed all manner of evil deeds in front of the camera.

 

He is a go-to guy when you need a villain.

 

He will likely retire on his network TV residuals. He did a stint as a villain in one of the biggest hour-long drama sensations in recent history

 

Yet he has neither a logo, a color, a font or a slogan.Nor is he afraid he won’t get the romantic lead.  

 

He is just a man who enjoys his pigeon hole.

 

Folks, don’t have a brand.

 

BE your brand.

 

And don’t worry about the Donovan fans.  

 

 

As always,

Blaine Parker
Your Lean, Mean Creative Director in
Park City
www.slowburnmarketing.com
www.spotsbeforeyoureyes.net
Follow on Twitter @blaineparker
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Popularity isn’t the only thing

Career Advice, General

Back in high school, which for some of us was longer ago than for others, I remember wishing that I was more popular. You might have had the same experience. In that case, you’ll want to read Seth Godin’s blog post from yesterday, What’s the point of popular?. Turns out, maybe being popular isn’t all that it’s cracked up to be. (My thanks to my friend and manager, Stacey Stahl, for pointing Seth’s post out to me.)

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The business of voiceover

Career Advice, General, Getting started in Voiceover

Dan O’Day and Harlan Hogan present a four-week series of tele-classes on the business of voiceover again this year. Classes start May 10, but registration closes the week before.

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More from Alan Sklar

Career Advice, General, People

Superb voice talent Alan Sklar has published a second article over at VoiceOverXtra on marketing and building relationships. Excellent stuff.

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If you want to work in audiobooks

Career Advice, General, People

If you’re seriously thinking about narrating audiobooks professionally, you need to study with Pat Fraley. I took his audiobook workshop in 2006 and have been working steadily in audiobooks ever since. (I made back every penny I spent on that workshop before the end of 2006.) His next workshop, which also features Scott Brick and Katherine Kellgren and co-instructors, is coming up next month in New York City.

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Marice in San Francisco

Career Advice, General, People

Marice Tobias will be in San Francisco for a weekend workshop next month. Here are the details:

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Keep in Touch

Career Advice, General, Getting started in Voiceover, People

Alan Sklar, award winning voice actor, written a brilliant piece for VoiceOverXtra called VO Marketing 101: Keep in Touch … Innovative Ways to Sell Your Sound. Very well worth your time.

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Marice in Toronto

Career Advice, General, People

Marice Tobias brings her keen insights and exceptional coaching to Toronto April 30th and May 1st. If you are a working professional voiceover ready to raise your self to the next level, studying with Marice is one of the best ways to get there.

When athletes go for the gold, they move heaven and earth to get the training that will get them there. Thus, it’s no surprise that those who study with Marice dominate the majors year after year in the world of voiceover. And why, throughout the year, high performing players gather to fine tune their craft, skills and savvy at a level unmatched in the industry. What game do you want to keep playing with your career?

If you’d like to take part in Marice’s Toronto workshop, get in touch with Stacey Stahl at stacey@creativeentertainmentmanagement.com or 503-246-2239. Fee is $750 for new students, $650 for returning attendees. Private sessions with Marice are also available while she is in Toronto.

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