For a quick dose of Christmas cheer from the somewhat bent mind of Pat Fraley, click on the phrase Are We There Yet in his initial message of this thread at the Voiceover Bulletin Board.
Great fun from a great talent. Oh, and Merry Christmas to you and yours.
General
Fame or a solid career?
You’ll find some interesting thoughts about the ups and downs of voice acting in this post at the Voicemarket.com vblog. One of the best insights is this quote about why not to include a photo of yourself on your demo (or web site):
“In a word,” says agent Jack Browne, “Looks. As an agent, whenever I’m helping one of my clients sound out a demo tape, I always try to discourage them from including a photo of themselves. Anyhow, part of the beauty of the form is that one voice can suggest such a wildly different array of physical appearances. Including a photo shatters that vital illusion.”
Ouch. Sometimes the truth hurts. This, for example, is why you’ll find no copies of my “good face for radio” anywhere on this site.
The article isn’t long and well worth a few minutes of your time. Read the whole thing.
The truth isn’t always simple
This isn’t a post about voiceover. The only connection with voiceover work is that voiceovers are done by human beings, and this story is also about human beings.
I encourage you to watch this YouTube video. It’s disturbing, but not oppressively so. And, it’s important to realize that sometimes efforts to help people can do more harm than good. The speaker is Martin Rapaport. Google that name to find out why he’s someone to hear. But whether you do or not, please watch the video.
Feel free to leave a comment with your thoughts. I’ve love to read what you think.
(My thanks to Roy Williams and his Monday Morning Memo for pointing me to this video this morning.)
A deep well of experience
The following letter arrived in my inbox this weekend.
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Bob –
Here is my anonymous response to some to the recent postings at your blog.
Feel free to quote from it, as it may be something others may find helpful, or they may be able to relate to my career situation, time of life or personal/professional goals. However, I’d rather not say who I am because parts of this may seem like I’m lazy or not passionate about the VO biz, which could not be further from the truth. Also, some financial disclosures I’m mentioning are such that I don’t want others to attach them to me, my reputation or my name. For some, I’ll be perceived as rich, for others I’ll be viewed as not aiming high enough in the VO field.
You may also want to re-word or re-work some of this, if you even want to use it at all. If you don’t use it, I will view it as a chance to “talk” with an old friend, as well as review some important aspects of my life. At this stage of the game it’s hard to really be in touch with how one really feels about some things, but your blog and other VO forums of late have sparked some serious – as well as some fun – thinking!
I’m much like you and your friend, Mary C. McKitrick, regarding the point of consideration by some people to get out of the VO biz. I just hate to see anyone have to do it, but any number of factors can force the issue. Lack of money is the main one ….in other words, not seeing one’s venture really take off. This is where my perspective of being in the business a full 30 years may be helpful.
To me, it’s all about finding your niches …. NOT niche, niches. Plural. Yes, this is a crowded business, more competitive than ever. But with technology, more media beyond radio and TV commercials has evolved, requiring more specialized voiceovers.
Look at the landscape now: Internet and cable outlets, training videos and CD-ROMs, web presentations, messages on hold, flash presentations, tutorials, documentaries, corporate presentations, industrials, Imaging voices for television and radio promos and station identification, voice prompts, voice mail trees… There are hundreds of new opportunities to explore!
Even 30 years ago I learned that I needed to diversity in the VO work I offered. I marketed myself for dialog spots, character voices, straight VO, narration work, as well as on-camera. I even started getting good using the ear prompter before deciding to focus just on voice work about 10 years ago.
Here’s what happened for me: I lost two huge voiceover accounts in the mid-90’s. At that same time, there were 3 concurrent “technology megatrends” emerging:
1) ISDN studios enabling real-time sessions from studio to studio.
2) Home studio digital recording and editing.
3) The Internet, offering the means for distribution of audio files and other media, as well as scripts and email communication across great distances.
From these innovations, new VO niches began to spring up.
I was rattled for a while, after losing those major accounts, but decided to get my demos on as many studio and marketing sites as possible and promote myself like crazy using the Internet and by developing a web site. The website not only serves for promotional purposes, but also is functional as a means of delivering large sound files to clients.
The strategy worked! Some new niches emerged for me right away … churches and ministries that need VOs for local broadcasts or even cable networks …. narrations for business PowerPoint presentations … message-on-hold …. government training CD-ROMS and videos … ad agencies in different parts of the country that need announcers for car spots and other local accounts. … colleges and universities that need donor-appeal narrations for banquets and DVDs …
Yes, I am still do a lot of work with one local studio and I still do tons of auditions and love reading and learning about the VO field…but I feel I have enough tops spinning that I can now call myself “semi-retired” and enjoy other aspects of my life.
I read online recently this statement from actress and VO artist, Karen Hutton:
The (home) studio’s usually up most of the day, since if I’m not recording client work… I’m working on a number of my own projects I’ve got in the works. Also… it’s fair to say that some days I just have to shut it all down and go skiing, get outside, go hear music and have some other life too. Because I’ve always felt that part of what I can bring to my work that’s unique… is me. If I’m not living a rich, multi-faceted life of many colors… how can I bring that to my work? That’s something I’ve always lived by…which was reinforced many years ago by some wonderful acting mentors. If my world gets too small, my work gets stale and flat. The most successful and well-rounded people I’ve known DON’T work 24/7…they have balance and live a really full life. So, I really listen to that voice inside and try to be in the flow of things.
Exactly, Karen! I’m learning the same thing too.
After working in a deadline-driven business for 30 years, I am now at a place where I can realistically aim to make $300 – $500 a day. If at the end of a given week or month I see I am off pace, I’ll take a look at what’s slipping, but for the most part, I remain on course.
Should I aim higher? Do more? Be better? Try harder? At this stage, frankly, I want to reap the harvest. If something big comes my way, great! Several times a year, I do a national spot or get to record some cool character voices for a museum, whatever. But I am no longer striving for such things. The good Lord is my agent and I am reminded of the scripture that says, “teach me, Lord to number my days”. I’m in my 50’s now. Do I want to work night and day like I have been for the last 30 years? No. Do I want to wait until I am 70 to start traveling with my wife? No.
Two scenarios coming up highlight what my “semi-retired” life is starting to look like.
1) A producer friend I’ve known for years, but haven’t heard from in a long time, is now the public relations manager for a Bible college in one of my favorite parts of the country. He called me the other day and says he has me in mind to narrate two projects for the college. One is a 5 – minute piece that I can do by phone patch from home, the other is a long form narration for a DVD and possible broadcast. We’re negotiating a rate for this that would allow me to record at their facilities. They would fly me and my wife there on a Wednesday, I would record on Thursday and Friday while my wife shops or hangs out at the hotel … and we would take Saturday and Sunday to tour around some more.
2) To celebrate our 30th wedding anniversary, I’ve decide to make it extra-special for my bride. I’ve arranged for two weeks on the Hawaiian islands. Since I’m incorporated and own my own production company business, my “boss” (the owner) is paying for most of the trip. I will work out of an ISDN studio in Sacramento on the way there, which will break up the trip. Plus we’ll spend a weekend to take in the Redwoods and giant Sequoias along the northern California coast. The company has enough frequent flyer miles to make airfare free.
I experienced a panic attack this past summer that sent me to the local hospital emergency room. While there, I happened to see in the waiting room another VO talent that I have known for years. He’s near 80 years old, has a great voice and has been know for always being there and always doing a good job. But I realized as I looked at him that this guy was not known for having much of a life outside of doing voiceovers. He was at the studio all the time. Yes, he’s made a ton of money, but, well, it was a “Christmas Carol” moment for me, and it was as though I was observing the “ghost of Voiceover future” if I’m not careful. How many vacations had I put on hold or canceled altogether over the last 3 decades? How many rounds of golf have I passed on, or even opportunities to be of service in the church or community?
So what I’m saying is…don’t turn up your nose at the low-mid range VO jobs out there. Don’t think you have to be on the upper tier of VO work to make a decent living and enjoy the one life you are given on earth to make the most of.
Folks who desire to do voiceovers should not give up too soon. If you work in radio, do what I did and get a night shift so you can freelance during the day and get that home studio going along with the web page. Hone your demos, sign up with online voiceover services and aim to make $300 – $500 a day so you can quit your night job 😉 … Phase into the VO work you love, and then begin to really enjoy your life!
Mr VO Anonymous
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I’ve made a few slight edits to what was sent me to clarify a few points made by my friend; but the substance of what he’s written is entirely his own. I’d love to know your thoughts. Leave a comment.
Finding voiceover representation
If you’re relatively new to voiceover work, finding an agent is probably one of the things you believe you need to do. You’ll find some very helpful guidance at Vox Daily, the main voiceover blog from Voices.com as well as two very fine posts (one and two) at their voiceover advice blog called Ask the Voice Cat.
Read them all. They are well worth your time.
But, let me offer one note of caution. Hopefully not discouragement, just caution.
You must be able to actually deliver the level and quality of work that’s on your demos. If you’ve hired a demo producer who has helped you create a killer demo or two or twelve that all feature reads you can’t pull off for real in the studio, you could torpedo your career before it even gets going.
Yes, you want to put your best foot forward on your demos, but it has to be your best foot, not the genius of your producer and editor. A killer demo will help you find representation, but if you can’t deliver the goods from behind the mic, a killer demo could kill your reputation. You’ll lose the represenation you’ve worked so hard to find, and you’ll lose opportunities to work.
This, by the way, is why so many auditions are required now. Too many killer demos from too many people who can’t actually deliver the goods in the studio. Producers really don’t like unhappy surprises when they are burning money at a booked session.
Tell the truth. Show what you can do. But, don’t try to fake it. You will be found out.
As I’m typing this, I’m remembering something that happened quite back in the late 1980s. I had signed with an agent in Chicago and was starting to get cast fairly often for commercials and especially for narration work. A friend of mine was a pretty decent voiceover talent, but his demo was produced using a number of editing tricks to make his voice sound deeper than it really was.
One day, he asked me to take a copy of his demo to my agent. I told him that I would be happy to. I also told him that if he were ever hired for a session on the basis of that demo, the first time he asked the engineer to use the speed control on the tape machine to make his voice sound like it did on the demo, he’d be laughed out of the studio. He dropped the subject.
Sometimes it feels that way
Dave Carroll describes his recent voiceover session experience as being sort of like…
…a piece of meat and poked and prodded until the right sound comes out of my mouth.
Yeah, it can feel that way, sometimes. But, it’s still way better than working for a living!
Read the whole thing. It’s not long and if you’ve done any number of voiceovers you’ll know exactly where Dave’s coming from.
More Joe!
If you enjoyed reading my interview with Joe Cipriano a few weeks ago, you should check out the podcast interview with Joe done by Donna Papacosta. (Joe is such a great guy.)
And my thanks to Stephanie of Voices.com for pointing out this podcast interview on Vox Daily. (And in the comments section here as well.)
Several voices
Over at the Voicemarketer.com blog, Ryan has been interviewing up a storm, as it were. He has features just in the last few days with Chuck Buell, Lisa Lupari, Bob Michaels, and my friend Peter O’Connell.
Check them all out. And nice work, Ryan.
Good advice no matter how old
With thanks to my friend Mary McKitrick, who posted this link on the Voiceover Bulletin Board, check out this interview with acting coach Larry Moss. Very good insights that stand up well 6 years after the interview was conducted.
And speaking of Mary, congratulations are in order. While her accomplishment isn’t directly connected to voiceover work, I have no doubt that the discipline and control she’s been learning in her classes are valuable for her work behind the microphone. Good for you, Mary. May you find much success in all parts of your life.
(edited to correct typo)
Talent Moving Forward
With my thanks to my friend Dan Nachtrab for pointing this out on the VO-BB.com today, here’s a terrific article which not only features three talented voiceover fellows, but also some interesting observations about the whole Union vs. Non-union question. It’s well worth your time.
Ever wondered about compression?
Dan Lenard, blogging at Master VO, offers a post with some valuable background on what, how and when to use compression. As a mostly self-taught audio guy, I find this kind of information incredibly valuable. Maybe you do too.
An exaggerated death
Over at Tim McLaughlin’s blog, he asks and answers the question “Is Broadcast Advertisting Dying?” I think Tim makes some excellent points.
I’ll say again, as I’ve noted here a number of times: the world of voiceover work is growing not shrinking. In fact, it’s growing fast enough that there’s plenty of work for everyone with the talent, drive and teachable spirit needed to be successful.
But, to be successful you do need to have at least some talent.
You do need to be persistent enough to make it through the tough times.
And you can’t believe you know it all. Because you don’t. Neither do I. In fact, I probably know less than you. But, there’s always something to learn. Always.
An article worth your time
You’ll find a very nice interview with voice actress Karen Hutton at the Voicemarketer.com blog, here. Enjoy.
Kudos to Dan
My friend Dan Nachtrab has just received a very nice compliment, being listed at VoiceIsland.com in the top 10 for TV Promo voices. Good for you Dan!
Demystifying the Home Recording Studio
There’s a new blog I’ve just added to my blogroll over on the left called Master VO. Dan Lenard introduces himself as the writer of this blog in his first post, here. I strongly suspect I’m going to visit this little corner of the blogosphere quite often.
Let me know what you think. You can leave a comment. They’re open.
Live blogging Debbie Munro’s Webminar
12:00 Noon – Debbie Munro is an experienced voiceover talent, introduced today by Caroline Perkins, Project Manager at Voice123.com. Debbie begins by describing how much she enjoys doing voiceovers. It wasn’t easy to get in to this business. It took a lot of hard work. She’s worked full-time for about 6 years and encouraged all of us to get a professional home studio set-up.
12:05 PM – Debbie talks about the value of a membership at Voice123.com (the sponsors of this Webminar), how it can provide professional experience auditioning, providing a web presence and possibly some income all for only $195.00 (US) per year.
12:08 PM – How do you start? With a demo? A demo is important, but she says the right place to start is at the start. She also mentions that she’s going to talk about The Key Ingredients of a voiceover career, the Types of Work available, different Reads to Know, How to Create Characters, A Script Checklist, Industry Secrets.
12:12 PM – How can voiceover work benefit me? By giving me the opportunity to work full or part time, at my own schedule. Work in my own home. It’s less discriminating than acting. (By this she explains “the look” is imperative, and talent can be secondary in film and television acting. Voiceover work depends on one’s talent, or ability to delivery the goods, is the whole deal.) But, to do this, you need training. Read. Take classes. Find our own styles and areas of ability.
12:17 PM – Further benefits of voiceover work? You can pick and choose what you want to work on. Do what you want and make money at it. Debbie suggests that they next time we’re at a party, start doing character voices for the kids. By this we learn to break through the inhibitions that we’ve lost since we were children. And this “childishness” is vital to be able to engage in characters. If the kids pay attention, you know you’re doing it well. This is how we get in touch with our “inner child” and learn to break through.
12:20 PM – So where do we start? Set realistic goals. It’s vital not to set goals that are completely out of reach. Take classes, but not just stage acting. Film and television acting as well; because it’s important to balance internal and external acting energy. Voiceover classes. Improv classes. Research the history of voiceover. For example, Daws Butler and June Foray.
12:24 PM – Create a demo. But, don’t rush into doing a demo. How do you know when you’re ready to make a demo? When you don’t have to ask yourself “Am I ready to make a demo?” Because you have to be actually deliver the goods of what’s on your demo when you’re in the studio. And make sure you work with a director who actually will direct. My demo needs to reflect who I am, my personality.
12:27 PM – Contract with an agent. But, don’t rely on the agent to find all of your work. Market yourself. Debbie mentions that she talks about her voiceover work where ever she goes. And finds a remarkable amount of work just by talking with people.
12:29 PM – Practice, practice, practice. Listen for interesting voices in real life. Audition the scripts that come through Voice123.com. All different kinds. Keep practicing and keep studying. Study the midwestern US accent, which is the “standard” sound.
12:31 PM – Book work and Have fun!
12:32 PM – What do we need? Talent and passion. Means to a recording studio, either through renting time at a local studio or building one’s own at home. A great demo. Listen to lots of demos. What do I like? What don’t I like. Write down impressions both ways. But, again, we have to be able to pull off what’s on our demo. A web site. Make sure my own personality shines through the site. We needs to be able to do different reads and characters. Lots of ideas. Don’t be afraid to add something to the copy, especially in animation. Versitility.
12:36 PM – Take a chance and put yourself out there. Risks are risks. There can be a huge payoff, and there can a huge downside. Being willing to look stupid. Never take “no” for an answer, take it for what it is “Not right now, maybe later.”
12:37 PM – Stay organized and keep business focused.
12:39 PM – What kind of work is available? Anything that has a voice? Talking toys. Video games. Internet flash presentations. Web sites. Every script has a character in it. See the characters. Find the characters. Our reads will improve. What reads do I need? Conversational, which is most popular right now. Hard Sell. Medium sell. Soft sell. Sultry (but to pull it off you have to feel sexy). Flat (throwing it away, kind of “less is more.”) Monotone which is harder that it seems. Straight. Energetic. Narrative (telling a story). Character (which is all over the place).
12:43 PM – Who am I (the character I’m playing)? Define with as much detail as possible, scanning for clues in the script. What am I talking to? Acting is reacting (re-acting). Back story? Motivation? Location and what’s happening? Each character is another personality, become that personality completely. There is no wrong way to do a character. The client might like it or not, but go with what seems right.
12:47 PM – Record practices. Listen back. It’s vitally important to be able to self-direct and learn. Listen for human qualities. Listen for what sounds “real” now fake. Learn to be comfortable with what we sound like. Stay focused.
12:49 PM – This is a tough business. You might not make it. But, there are a billion commercials every day (world wide) and James Earl Jones can’t voice them all. So, persist. Focus on realistic goals, not on getting rich. Staying power is vital. Have fun. Have faith in yourself. Be interesting and interested. Never stop learning. Tenacity is vital. Stop thinking about it. Do all the homework, but when you’re in front of the mike let it go and just let things come out.
The balance was questions and answers. Debbie talked about how she got started and her life-long passion for acting, the blossoming market of podcasts, suggestions for folks who are having a hard time landing work, taking further private coaching, focus on specific areas of work like commericals as you get started, how to find a good coach for training, how to learn computer audio editing, Debbie mentions that she’ll be starting an on-line course on January 9, 2007.
Learn the lingo in one easy step
If you’re new to voiceover work, or even if you’ve been in the business for a while, you may encounter words or terminology with which you’re not familiar. Having to ask “what does that mean?” is not only embarrassing, but could give the impression that you aren’t really a pro.
Marc Cashman has compiled an extensive list of terms related to the voiceover industry and posted the list at the Vox Daily voiceover blog at Voices.com. Read. Learn. You’ll be glad you did.
Two great masters in one video
If you are a fan of the great Warner Brothers cartoons featuring the myriad voices of Mel Blanc, then you’ll want to click here. Because not only is it the late, great Mel Blanc, it’s the late, great Johnny Carson interviewing him. Really.
Be prepared for a bit of a wait, but it’s worth it.
(Update: I neglected to thank Jeffers at the Voiceover Bulletin Board for the link. You’ll find his post at the start of this thread.)
Valuable thoughts about voiceover work
In Ryan’s Voicemarketer.com blog interview with Wayne June, you’ll find some very valuable information about the world of voiceover work. It’s well worth a few minutes of your time.
Reality check, part two
You can find uninformed comments in some pretty surprising places…at least that’s been David Houston’s experience. Read about it in this post on his blog.