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Career Advice

VOICE 2008 registration is open UPDATE

Career Advice, General, Getting started in Voiceover

The VOICE 2008 website has been updated and is now accepting registrations. The dates are August 8 through 11, 2008 with a special “Red Carpet Reception” on Thursday evening, August 7. It’s being held at the Hyatt Century Plaza in Los Angeles on the Avenue of the Stars.

There’s also a forum for VOICE 2008, where you can participate in discussion about the event and even post memories and thoughts about VOICE 2007. I hope I’ll get to see you there in Los Angeles in August.

My thanks to Doug Turkel for posting a note on the VO-BB about this.

UPDATE: By now, you should have received an email with details about VOICE 2008 from James and Penny. If you didn’t, the go to the VOICE 2008 website to sign up for updates and information. Also, and especially if you were there in Las Vegas in March 2007 for VOICE 2007, you should have received a note about a special discount for all paid attendees from last year. The deadline for early registration at the lowest price is April 15th.

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VOICE 2008 registration is open

Career Advice, General, Getting started in Voiceover

The VOICE 2008 website has been updated and is now accepting registrations. The dates are August 8 through 11, 2008 with a special “Red Carpet Reception” on Thursday evening, August 7. It’s being held at the Hyatt Century Plaza in Los Angeles on the Avenue of the Stars.

There’s also a forum for VOICE 2008, where you can participate in discussion about the event and even post memories and thoughts about VOICE 2007. I hope I’ll get to see you there in Los Angeles in August.

My thanks to Doug Turkel for posting a note on the VO-BB about this.

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Nominations are now open

Career Advice, General, Getting started in Voiceover, People

Voices.com sponsors the Voicey Awards, as they call them, each year. And the nominations are now open.

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How do you get to Carnegie Hall?

Career Advice, General, Getting started in Voiceover, People

Practice, practice, practice! That’s an old joke, of course; but it’s also a truism about the voiceover business. While there’s not a lot of voiceover work on the stage at Carnegie Hall, working in the big leagues of voiceover requires much more than a pleasant voice and smooth delivery.

This point is underscored brilliantly at the VoiceBank.net VoiceRegistry Blog in their post called Practice Makes Voice Over Perfect. And after you’ve read the article, be sure to click through on the link at the bottom of the post for the podcast interview with voiceover teacher Bill Holmes.

My thanks to my friend and fellow voiceover talent Dan Nachtrab for pointing this article out to me today.

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A podcast about recording software for voice actors

Career Advice, General, Getting started in Voiceover

My friend and fellow voiceover talent Dan Lenard is featured in a podcast at the VoiceOver Experts site talking about how you can decide what’s the best recording software for your home voiceover studio. And while you’re there, you’ll find many other excellent podcasts with tons of great information for your voiceover career.

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Study with Ed Asner

Career Advice, General, People

My friend Pat Fraley has a voiceover workshop he’ll be teaching with Ed Asner on February 9, 2008 at Buzzy’s Recording in Los Angeles. Price is $595.00. Email Pat Fraley to register. This event is limited to 12 participants. It will fill in hours.

Update: Even if you aren’t able to attend, listen to this excellent bit of audio that Pat sent me via email the other day. Yes, there’s a shameless plug for the event included; but there’s also a terrific lesson here that will be helpful to just about everyone.

[audio:https://bobsouer.com/pix/FraleyAsner.mp3]
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How do you set your voiceover rates?

Career Advice, General, Getting started in Voiceover

Some of use union scale as a jumping off point. Others make it up as they go. And then there are brilliant beacons of sanity and thoughtfulness like my friend Mary McKitrick. She’s written an amazing and detailed analysis of many of the factors you need to consider when you set your rates. Take a few minute and read the whole thing. You’ll be glad you did.

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Sweat the small stuff

Career Advice, General, Getting started in Voiceover

If you’ve read this blog for a while, you’ve seen me mention Tom Asacker a few times. He’s a very bright man with some deep insights into marketing and branding. On his blog he’ll often use a quote as a springboard to one of this points. This example, taken from artist Vincent Van Gogh, offers some tremendously valuable insights.

“Great things are done by a series of small things brought together.”

Tom then offers several examples from the retail industry of how little things have huge consequences. It’s no stretch to conclude that the voiceover business is just like every other business in this regard. Sweat the small stuff. It matters. Maybe more than you think.

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Marking your voiceover career progress

Career Advice, General, Getting started in Voiceover

On the Vox Daily blog, Stephanie has published Deb Monro‘s interesting Self Assessment Quiz for Voice Actors. Here are the questions, as posted on Vox Daily with my responses.

1. How much training have you had?
1 course or workshop (1); 2 to 4 (2); 5 or more, or relevant university degree (3); No training at all, I’m a natural (0).

My answer: 5 or more workshops – 3 points

2. How much have you invested in your voiceover business?
$100 to $500 or less (1); $600 to $1,500 (2); Over $1,500.00 (3); Less than $100 (0).

My answer: Over $1,500.00 – 3 points

3. How long is your demo?
1:00 to 1:30 (3); 1:30-2:00 (2); Under 1:00 or over 2:00 (1); I don’t have a demo (0).

My answer: 1:00 minute – 3 points

4. What kind of equipment do you have?
Pro Studio (3); USB mic and computer (2); Computer mic and computer (1); I do not have my own equipment (0).

My answer: Pro Studio – 3 points

5. Do you have an agent?
Yes (3); No (2); Why do I need an agent? (0).

My answer: Yes – 3 points

6. How many cities do you have agencies in?
1 (1); 2 (2); 3 or more (3); Didn’t know that was possible (0).

My answer: 4 cities – 3 points

7. Are you a union member?
Yes (2); No (1); Why would I join a union? (0).

My answer: I’m a dues paying non-member (financial core) so while I work under contracts from both US broadcast unions as often as possible, but I’m not a member. – 1 point

8. How often do you audition?
Once a day or more (3); A few times a week (2); A few times each month (1); Occasionally or Rarely (0).

My answer: On average once a day or a little more, but only for work that interests me and pays enough to be worth my time – 3 points

9. Where do you get most of your work from?
Self marketing and promotion (3); Agent (2); Other resources (1); Work will come to me (0).

My answer: Repeat customers, self marketing and promotion – 3 points

10. Do you look for work outside of the typical resources?
Yes–I talk about voiceover to any potential client (3); No – that’s up to my agent and the sites that I’m on (2); I don’t need to promote (0).

My answer: I talk about voiceover to any potential client. – 3 points
For those of you keeping score at home, and assuming that my math weakness isn’t rearing its ugly head, that adds up to 28 points.
Here are the concluding comments from Deb, if you want to score yourself.

0 to 10 – You haven’t done enough yet to get the work you’re seeking. Keep training and developing until you can score 20 or more. Those who are landing this work NEVER stop looking and are constantly educating themselves to keep up with the trends, even while they’re working. Remember, “Those who do the work get the work.”

11 to 20 – You’re heading down the right path. You are taking some of the necessary steps that you need to take to become a full time professional voice talent. You still need to get your score up over 20. What can you do to change your numbers? More marketing. Don’t rely solely on your agent. Keep educating yourself. Always tell everyone what you do. Everyone you meet is a potential client or referral source.
20 to 30 – You are doing the right things to make it in this industry. You are probably landing some work if your score is this high. Perhaps it’s not the amount of work you were hoping for, but if you keep at this and have the talent, it will come. It can be discouraging, but know that you’re doing the right things. Patience and perseverance are the keys for you. Keep your score up in this range and good things should follow. If you’re the right voice, you’ll get the job. Stay with it – they have to hear you before they can hire you!

Update: I neglected to mention that Jeffrey Kafer’s blog is where I saw the link to this article first. Thank you, Jeffrey.

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Life is full of uncertainty

Blogging, Career Advice, General, Getting started in Voiceover, People

You already knew that before you stopped by here, of course. But, I was thinking about this truism because of a heart-felt post from my friend Dave Courvoisier on his voiceover blog. It’s well worth a few minutes of your time and, I hope, will give you some insight into a fundamental truth: be careful where you build your foundation. If it’s not on solid ground, the consequences won’t be good, for you or your foundation.

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Study opportunity in Florida

Career Advice, General, People

My friend Bobbin Beam has posted a note about a voiceover training class that will be held in late April in Sarasota, FL.

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New blog from Voicebank.net

Blogging, Career Advice, General, Getting started in Voiceover, People

VoiceRegistry Blog is a brand new release from Voicebank.net. You can get an overview of some of the folks who will be posting from their initial post. In addition to blog posts, they’re also doing interviews and releasing them as podcasts. The first is with British actor Martin Jarvis. Looks like a place I’ll be visiting often.
My thanks to my friend Dan Nachtrab for alerting me to this new blog.

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Clearing away the clutter

Career Advice, General, Getting started in Voiceover, People

My friend Philip Banks is one of the most prolific members of the VO-BB. Since encountering many of his brilliantly insightful (and often rippingly funny) posts on that board, I’ve also had the delight of talking with Philip on the phone several times. My every encounter with him has been helpful, encouraging, challenging and pleasant. Not everyone thinks as highly of Philip as I do, but I care not a fig about other opinions.

Earlier today, Philip posted another exceptional piece that I hope you’ll take time to read. He’s titled his piece Zen and the art of Voice acting? There are few things you’ll read today that will offer greater benefit to your voiceover career. More likely, none.

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What are you planning in 2008?

Career Advice, General, People

Among the many things at which I could be better, goal-setting and tracking are near the top of the list. My friend Dave Courvoisier has taken the bold step of publishing his voiceover goals for 2008 on his blog. Good stuff, Dave. And I highly recommend if you’re serious about audiobooks that you plan to take Pat Fraley’s audiobook seminar. I’m sure there will be one later this year. When I took that seminar in 2006, it was, without a doubt, the best thing I did to get myself started doing audiobooks.

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The Voice speaks

Career Advice, General, Getting started in Voiceover, People

My friend Frank Frederick, who has wisely trademarked his slogan “The Voice” (TM), is featured in a new Voice Over Experts podcast. He’s talking about his book “LoveNotes: Marketing and Branding for Voice Over Artists”. Good stuff, Frank. This is a great way to start the New Year.

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Brilliant blog marketing

Blogging, Career Advice, General, People

Among the many people I got to meet in person during the course of my travels in 2007 was a very talented gentleman named Peter O’Connell, a genuinely brilliant voiceover talent and an even more brilliant marketer of his voiceover services. How brilliant? Well, here is a survey of what I see as the single greatest bit of blog marketing, at least in the world of voiceover blogs, that I’ve ever seen. One that it’s been playing out right before our eyes in the last 2 weeks.

First, Peter identified a subject about which he felt passionately, and not only he, but quite a few others. That subject being the decision by NBC Television to hire Michael Douglas to provide the voiceover introducing the NBC Nightly News with Brian Williams. Mr. Douglas is a well established star in the movie business both in front of and behind the camera. And he has a wonderful voice. But, Peter didn’t think it was the right voice to introduce something as important as the nightly network newscast. So, he blogged about that. And for most folks, that’s where we would have stopped. But Peter was just getting started.

Next, he created an (unofficial) casting call for voice over talents to submit an audition for the News intro voice, even providing a clean copy of the NBC Nightly News theme music to use with the auditions. Entries began to pour in from all over North America as well as at least one entry from the UK. Not only did Peter blog about his contest, he posted notes about it on the VO-BB, the Yahoo! Voiceover Group and prepared and distributed an official press release about the contest.

Naturally, lots of us other voiceover bloggers posted about this contest, as well as putting our hats in the contest ring.

By the time the dust had settled, Peter had received 60 entries to his contest, not counting his own initial example entry.

Taking his game to even greater heights, Peter then invited everyone to vote for their top 3 favorite entries. As I type this message late New Year’s Eve night, 61 voters have been entered their top picks. Again, Peter posted an invitation on the VO-BB, the Yahoo! Voiceover Group and prepared and distributed another official press release.
By the way, the voting is still open through at least New Year’s Day, so if you haven’t cast your vote yet, go here to listen to everyone’s entry and then go here to enter a comment with your top 3 picks.

So, the story isn’t done, but from the standpoint of voiceover marketing and blogging, this has been the story of the year in 2007 and carrying over into the early part of 2008 of course. I don’t have access to his server logs of course, but I’m sure this has taken Peter’s blog traffic to new heights, and while some of those visitors may not return, Peter has very wisely invited everyone to subscribe to his blogs feed each stop of the way, including links to his own favorite blog reader for anyone who doesn’t already use one.

Really brilliant stuff Peter. I am in awe of what you’ve accomplished. I’ve learned so much from you in this past year, and not just through this series of events. But watching all of this unfold has multiplied my admiration for you and your business savvy. You are doing a great job and I wish you much continued success in the coming year.
Oh, and while we’re at it, if you’d like to subscribe to this blog, here is the link you need to add to your feed reader. ( http://feeds.feedburner.com/TheVoiceoverBoblog ) Peter uses the Google Feed service. I use Thunderbird. There are lots of other choices. Just search on the term “feed reader.” If you’d rather just have the posts sent to your email inbox, you can do that here.

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Change is the only constant

Blogging, Career Advice, General, Getting started in Voiceover, People, Tools

The following was slipped over the virtual transom at the offices of The Voiceover Boblog recently. It makes for some interesting reading and addresses something I’ve posted about a number of times before, in a somewhat oblique way, and gives me an opportunity to post about that subject again. I’ll offer my thoughts after you read this missive.

It has been holiday slow and I’ve been able to spend some quality time ‘market researching’ the voice savvy boards over on 123. It’s always helpful for me to see what talent are talking about.

I see our name pop up a lot and see some concerns I wanted to address. Yes, we do post on 123. and I’ll explain here when and why.

Don’t we have enough talent on board to be able to nail every job ? The answer should be emphatically yes. Unfortunately the answer is no, the old school agency roster has become obsolete for us.

While we will always present our top people in-house and always give those as well as Nancy [Wolfson]‘s people our first look and priority, we are well aware that our clients still expect more and then, even more.

Typically the more ‘saavy’ agency clientèle, want to scour the nation when they cast their vo, as the better and bigger market sounding stuff they can produce, the more likely they can keep their client happy in a competitive virtual marketplace. The regionalism of yesteryear has given way to the virtual globalism today. No spot has to sound like it was created in Farmington, New Mexico ..they can all sound like they were produced in major markets, thanks to the open access to great talent and a wide affordable bandwidth.

People love to gripe and I love it, in fact, I am captain of my own ‘bitch about dem bitches’ squad. Gripe about Big Fish though and I’ll defend us to our open borders, that is my honor and this is my baby.

We have changed with the times, to survive, just as talent have, so we must reach out now to meet our clients needs despite how much more ground we must cover or how much extra labor is involved. We understand that if we cast to the universe for talent, then perhaps some of our clients, at some point, will not feel that they have to. We’ve been successful with that strategy, though we have to put in 3X as many hrs, only so our clients won’t feel the need to list in 100 places.
This is exactly the reason why we post outside our agency in various places at times, only when we know our client will otherwise not feel ‘serviced’, to ultimately bring them around to the idea that we can provide whatever they could possibly need. Next time they may well consider coming to us directly and we can shut down our broadcast systems and do what we do best.

Our intention is not to replace or bury our top talent in a sea of applicants for the same $400 gig, but we know that with 123 and other VoiceBAY subscription outlets in the picture to stay, and talent with representation overlapping X10 in some cases, that unless we keep pace and innovate, we’re among a dying breed.
Our time-honored professional casting and representation and negotiating services now wholesaled to you and voice seekers on searchable Internet database sites. Our ability to get you top dollar, now replaced by your ability to offer services for much less. Exclusivity is gone and in it’s place, the opposite of exclusivity and the bargaining power that goes with it, talent have become a commodity

Who are we competing with now?

With you (the talent) frankly.

But we’re still kicking and quite hard, we have only changed our ways for the seasons.

Happe New Year.

HATE the HATE in ’08.

Elynne Dale.

owner. The Big Fish Voice Company

I’m sure at least one reason this note was slipped over my virtual transom is because there’s been a certain amount of controversy on the various boards about this matter. This note was not sent to me directly by Elynne Dale, though I am posting it here with her explicit and direct permission.

My point of view on this matter is somewhat different from other’s I’ve seen. I don’t see this as a big deal. I understand that some folks are really upset. I understand most of the reasons why they are upset. I just see things from a different point of view.

The world of voiceover has changed from when I started getting serious about it in 1983. And the pace of change is accelerating. Elynne’s point above that now she and her agency are competing with us, the voice talent, is spot on. I’m very impressed with the brilliant marketing efforts that I see by many of my friends and by other voiceover talent I don’t yet know personally. While I’m sure there are folks who still run everything through their agent, I’m equally sure that number is small and falling rapidly.

For good or ill, we who do voiceover work now are often our own agents and managers; doing not only the marketing, but the negotiation of terms, the editing and delivery of the audio, the billing, the collections and everything else. What we’ve gained in greater independence, we’ve lost in being shielded from these details and routine. You know what I’m saying is true, especially if you’ve been around long enough to remember the way things used to be.

I’m not lamenting here for the old days. I’m just trying to underscore what I see as a valid comment.

All of which brings me to the point to which I alluded at the beginning of this post. There is no competition in voiceover. Oh, there are lots and lots of very talented people. But, none are my competition. Because I am the world exclusive source for voiceovers by Bob Souer. The relationships I’m building are with people who are looking for my voice. I hope you’re doing the same with yours. Because you are the world exclusive source for your voice. Now, in any given year, am I going to book more work and collect more money that you? I have no idea. My focus is on super-serving my clients, providing for my family and keeping my promises. I can’t allow myself to wonder how I’m doing compared to you or anyone else.

This is ultimately why I’m not worried about whether I see an audition I’ve received from Big Fish also posted on Voice123.com. It doesn’t matter how wide the net is cast. If the client is looking for my voice, they’re going to pick me whether I’m in a group of 5, 10, 500 or 11,000. On the other side of the coin, I use the same set of criteria for auditions that come to me from my agents as I do for auditions that come from Voices.com or Voice123.com. It has to be right for me. It has to be something I’m interested in doing. It has to be at a budget level high enough to be worth my time. I hope you apply a similar filter, because without it you’re just setting yourself up for a bunch more effort than necessary…much of it unproductive at best.

Thanks for reading. Comments are open if you’d like to respond. And, my best wishes to you and all whom you love for a very happy and successful New Year.

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Filed Under: Blogging, Career Advice, General, Getting started in Voiceover, People, Tools

A new microphone in my studio

Career Advice, General, Getting started in Voiceover, People, Tools

For many years now I’ve recorded everything on my workhorse Audio Technica AT-4033 microphone. This includes work that is running on PBS (2 documentaries in the last year) and lots of other places. But, thanks to my friend Willie Edwards, who put me in touch with our now mutual friend John Weeks, I’ve just added the Sennheiser MHK416P48 microphone to my studio.

Using a piece of Mattel audition copy I received some weeks ago, and recording with both microphones at the same time on separate channels of my Pro Tools workstation, here’s an opportunity for you to compare the sound of the two microphones.
First the AT-4033…

[audio:https://bobsouer.com/pix/BobSouer_AT4033.mp3]

And then the MHK416…

[audio:https://bobsouer.com/pix/BobSouer_MHK416.mp3]

Aside from the fact that these are MP3 audio files, there is no audio processing. Just my dry voice. Keep in mind, which ever sound you like better, this is an example that really only applies to my voice in my studio. Your mileage will vary depending on a host of factors, including the unique characteristics of your voice, your recording space and so on. But, I hope this will be at least a little bit useful as you think about your own microphone choices.
(Update: Willie Edwards was nice enough to post his thoughts and comments about this test on his VO Mic Test blog.)

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2008 – Spine or Whine?

Career Advice, General, People

My friend and mentor Philip Banks has added to his treasure trove of valuable posts at the VO-BB this morning, with a gem looking back at lessons he’s learned and offering counsel for anyone in the voiceover business. You may agree with Philip or not, but I think there’s much of value here. Much.

(Update: You can see this article on VoiceOverXtra as well.)

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Study with Bob Bergen

Career Advice, General, Getting started in Voiceover, People

Bob Bergen, the very talented voiceover great from Los Angeles, is going to be in Atlanta for a 2-Day Weekend Animation Voiceover Intensive on March 8 and 9, 2008 at Captive Sound Studio.

On the off chance that you don’t recognize Bob Bergen’s name, he’s the voice of Porky Pig and Tweety Bird and has contributed voices to many other animated films for many years. To get more information, or to enroll in this weekend, get in touch with Marian Massaro or with Deborah Richards at Captive Sound. By the way, enroll by January 15th and you’ll save 10 percent off the class price.

This workshop is being presented by Donna and Michelle Summers and there is room for only 15 class members.

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