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Career Advice

James and Penny’s teleseminar series

Career Advice, General, Getting started in Voiceover, People

James Alburger and Penny Abshire have been teaching voiceover workshops for years. They are two of the three very nice people who presented the VOICE conference (the third being Frank Frederick) in Las Vegas and will be presenting the VOICE 2008 conference in Los Angeles.

So, now that you know something about James and Penny (follow the links to learn a whole lot more), here is most of the contents of an email I received from them a few minutes ago. If you’ve wished you could find a way to participate in an interactive, group, voiceover training for under $100 a class, this is going to come as very good news indeed.

We’ve spent a great deal of time working on a Voice Acting Telecourse that will give you the essential information you need in order to master the craft and business of performing for voiceover – whether you’re just starting out . . . or a seasoned pro. You’ve probably noticed that there aren’t very many voiceover classes offered as a Telecourse – and those that are available are quite expensive – often more than $100 per class!

For most classroom voiceover training, you must deal with local traffic or travel to a different city. We still plan on teaching our San Diego and Roadshow workshops – and we’d love to see you there – however, we know hard it can be to learn the subtleties of performing for voiceover . . . especially if you live in a city far from the nearest VO coach, or if you’re not in a position financially or timewise to attend a classroom voiceover workshop. We’ve solved your problem!

We’ve studied just about every other VO course out there and we’ve come up with a Telecourse that will give you the basic skills and essential information you need – and more important – our 8-week Telecourse is very affordable!

No traffic.

No traveling.

No hotels.

No high tuition.

No hassles.

No kidding!

All it takes is a phone call! Actually two phone calls – one to register, and another to attend the Telecourse each week.

Here’s your official invitation (ed: and FAQ):

What?: The Art of Voice Acting 8-week Telecourse – a teleseminar focusing on the craft and business of voiceover.

When?: Every Wednesday evening beginning September 5th, 2007

Where?: Your telephone

What time?: 5pm Pacific Time (8pm ET)

How long?: This course runs for 8-weeks. Each class is approximately 90 minutes in length.
What’s the content?: The Art of Voice Acting 8-week Telecourse will include most of the primary lecture material we cover in our AOVA 8-week and Weekend workshops, plus a few surprises. Complete information is at www.voiceacting.com/training/teleseminars.

How many in the class?: The AOVA Level 1 basic 8-week Telecourse is limited to 25. There will be assignments each week, and some submitted files may be played during a Telecourse session. There will also be on-mic coaching each week. Our Personalized on-mic coaching is reserved for our Level 2 class, which is limited to only 8 people per call. You must be a graduate of the basic 8-week Telecourse or one of our other 8-week or Weekend workshops to participate in our Level 2 personalized coaching Telecourse.

How will it work?: As soon as you register, you’ll receive an email that includes all the details for the first Telecourse call, PLUS a link to your Telecourse Yahoo Group for messaging, downloads, and uploads. Your first download will be an MP3 file that will give you an overview of voiceover and prepare you for the Telecourse. Each week you’ll receive a special phone number to call along with a password for each class. To attend, you simply make a phone call from the comfort of your home . . . or wherever you are.

Who teaches the Telecourse?: Each call is hosted by James Alburger and Penny Abshire, two of the top voiceover coaches in the US. You can learn more about Jim & Penny at www.VoiceActing.com and you can read what their students think of their workshops at www.voiceacting.com/testimonials.

How much?: A ridiculously low $47 per session -which includes access to on-line workshop notes and other materials. Of course, the cost of a long-distance call will also apply. (For most, that’s well under $5.00 for a 1-hour call).

Note: If you were an attendee at VOICE 2007, we have a very special price for you for this Telecourse. Please call Penny at 858.484.0220 for details.

What else?: As a Telecourse graduate, you’ll be entitled to our AOVA Graduate “Serious Discount” for future AOVA Weekend Workshops. That means you’ll be able to attend ANY of our live Weekend Workshop in the future at a “serious discount”!

Anything more?: Each class will be recorded and will be available on-line for about a week after each class. Download the MP3 file to your computer, put it on your IPOD, or burn it to a CD for future reference.

Why are you doing this?: Our goal is to provide you with the best information and training possible to help you learn the critical skills for working as a voice talent. The Art of Voice Acting book has become the most popular book on voiceover, and our workshops have gained a reputation for being among the best training in the country. Now, it’s time for us to make our training available to more people who want to learn about voiceover.

How do I register?: Call us at 858.484.0220 to register. Sorry, but due to the nature of this Telecourse, we can’t take on-line registrations.
As a registered student of our Art of Voice Acting 8-week Telecourse, you’ll receive critical information, performing techniques, tricks of the trade, and insider business secrets that will get you started on the road to being a successful voice talent.
For all the details, visit www.voiceacting.com/training/teleseminars right now, while you’re thinking about it!
Or call us at 858.484.0220 to be among the first to register. Please call only between 9am and 5pm Pacific time M-F.

Stay in Character!
James R. Alburger & Penny Abshire
VoiceActing.com ~ We make you sound great!
13639 Freeport Rd.
San Diego, CA 92129
voice: 858.484.0220
fax: 858.484.7493
e-mail: info@voiceacting.com
visit our website:www.voiceacting.com – Training and Resources in The Art of Voice Acting

Email submissions become the property of VoiceActing.com. We reserve the right to re-print any questions and our reply in any media. If you prefer to remain anonymous,

please let us know. Please include the original correspondence in your reply.

Get your personally autographed copy of James Alburger’s book, (The Art of Voice Acting, 3rd edition) and Penny Abshire’s book, (Demo & Marketing Magic for Voice Actors), on-line at www.voiceacting.com.

Subscribe to the free Art of Voice Acting newsletter by visiting www.voiceacting.com/elists.

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Actor’s Tool-Kit #16

Career Advice, General

ACTOR’S TOOL-KIT #16

SKILLS VERSUS TYPES

by Bob Fraser

I recently got an email that I felt I should share.

“Dear Bob,

“I was reading your article, Unique Character Presentation and I have a whole bunch of questions. “You wrote that we should choose the UCP (type) that fit us the best, and “align our marketing efforts with our natural tendencies.” “How does this fit in with versatility?

“If we market ourselves on our natural tendencies, aren’t we staying in our safety zone, basically portraying ourselves? “The reason I’m asking is because I asked my acting teacher on a level of 1 to 10, 10 being an Oscar/Tony award-winning performance … where was my skill level? I want to be at a very minimum at a level 7 – but preferably an 8 or higher.

“She said I was at less than a 5, but only because I don’t have the versatility I need. “My safety zone I’ve got down pat, but I need to stretch a lot more than I have been able to do. “And how does a character actor like Alfred Molina fit into UCP typing? He’s done just about every type of role imaginable, huge versatility, although he does “bad guys” more often than any other type. I admire Molina’s acting skills very much, and consider him one of my role models for what I would like to achieve in the industry. Not that I want to be “The Outlaw” type, but I’d like to achieve the quality and versatility he brings to every role he plays.

“So, UCP versus versatility? I feel I’m missing an important piece of knowledge that links the two together harmoniously.
“Thanks for your time.”

Signed,
Curious
———————-
Dear Curious,

I don’t (or rarely) discuss acting as a craft. What I focus on, in my writing, is aimed at getting you working. Alfred Molina is very versatile, yes — but he is a unique actor with a unique “take” on the characters he plays.

It’s much easier to be a “versatile” character actor when you’ve got 10 – 15 years of paying work behind you. And again, the work that counts is the work that pays money because then it’s for real. Look up Molina’s credits on IMDb.com and see how far back they go. And that’s just his film and TV work – he also has a decade or so prior to that as a theatre actor in Britain. (Getting paid.)

My point about UCP is that it’s a way of framing the natural “typing” that happens on the other side of the casting table. If you think you’ll have the opportunity to play Juliet or Lady Macbeth based solely on your acting ability, you will waste a lot of time trying to practice “theory” and not much time making money. It’s the making of the money that allows actors to grow – in the context of the professional world. What you and your acting teacher have tried to do is quantify that which cannot be quantified.

Believe me, if I put you in front of Steven Spielberg tomorrow, to audition for his next movie — you wouldn’t be talking about “safety zones.” You’d be hoping to be picked.

And you wouldn’t care if it was a person just like yourself that you were being asked to play.

Please don’t attach your skill level to your results. That is just a blatant denial of reality.

Who is a better actor – Nicholson or Tom Cruise? No one can answer that question without knowing the role, the story, the purpose of the character they are playing in the story – and whole lot of other stuff.

Awards, “good acting on a scale of 1 to 10” “what’s the best method?” – those are party conversation – and IMHO a waste of time, when it comes to business. And I’m strictly talking about business.

On the other hand, if what’s important to you is the approbation of teachers and other actors … you might be on the right track. I’ve known some brilliant actors who worked at the post office and office supply stores. In the final analysis it comes down to what your real goal is.

UCP doesn’t fit with versatility because versatility is not what gets actors in the door, gets them cast in the role or gets them the opportunity to really “climb the ladder.”

Fully capable professional actors don’t show up “full blown” in Hollywood, New York or London — they learn their jobs on the job. Becoming a brilliant actor and THEN succeeding in the business is a pipe dream. It happens about as often as Haley’s Comet drops by.

You can take that to the bank.

============================================================

PERMISSION TO REPRINT: You may reprint articles from Actor’s Tool-Kit, on your website or electronic newsletter. However, in order to comply with my copyright, you must also include the following paragraph with your reprint:

“Reprinted from ACTOR’S TOOL KIT, the email course just for subscribers of Show Biz How-To — The Free Actor’s Monthly. Get your own free subscription by going to: showbizhowto.com Copyright © 2006 Bob Fraser Productions All Rights Reserved”

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An interview with me?

Career Advice, General, History, People

John Florian has posted an interview he did with me on his Voice Over Xtra site. I hope you’ll find something of value there. By the way, sign up for a membership on Voice Over Xtra. It’s free. Lot’s of good information. I’m a member there.

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Summit 2007, Day 2

Career Advice, General, Getting started in Voiceover, People

The first half of this day was given to writing. But, as is nearly always the case when Dan O’Day is teaching writing, much of that time included opportunities for us to get up and read what we’ve written. Taking part in those exercises this year were my friends Donovan Corneetz, Dick Terhune and Pam Tierney. Here the three of them are waiting in line for their turns to read.
Donovan Corneetz, Dick Terhune and Pam Tierney waiting to read at Summit 2007
Donovan does his read.
Donovan Corneetz reading at Summit 2007
And Pam follows.
Pam Tierney reading at Summit 2007
Pam got a chance to work one on one with Dan O’Day at one point as well.
Pam Tierney and Dan O'Day at Summit 2007
And Dan was nice enough to take a moment to pose with my friend Mike Carta and me.
Mike Carta, Dan O'Day and Bob Souer at Summit 2007
In between sessions, there was plenty of times for conversation. Here Pam is talking with Chris Wagner and Melanie Myers.
Pam Tierney, Chris Wagner and Melanie Myers at Summit 2007
The final 3 hours were given over to casting director Terry Berland.
Casting director Terry Berland at Summit 2007
She gave us a great look behind the scenes of the way casting works in the highest echelons. And then worked with many of us as we read copy she’d brought along. It was great fun to experience reading for someone of her stature and talent. And Terry’s description to us at the end of her presentation was that it was great fun for her as well.

Another great year is in the books. I hope you’ll join us next year. And as time permits over the next couple of days, I’ll add some further descriptions and details from some of these sessions.

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Summit 2007, Day 1

Career Advice, General, Getting started in Voiceover, People

This year is another great experience at the Dan O’Day Summit in Los Angeles. We began on Thursday evening with our annual closed door session for those of us who have been to previous Summits. Dan calls us “Repeat Offenders.”
Dan O'Day Summit 2007 - Thursday part 1 Dan O'Day Summit 2007 Thursday part 2

The main events kicked off this morning with Dan O’Day presenting a superb session about writing powerfully. It’s a seminar he calls Hypnotic Advertising. Lots of insights into the way people understand and receive information.

Then Pat Fraley came and presented a pile of terrific ideas drawn from his Slick Tricks Smuggled Out of Hollywood seminar. Excellent, with loads of valuable information for voiceover work, as well as tips for directing. (By the way, Pat gave an update on his wife, Renee. She’s not completely back to full health, but is doing much better. He offered his thanks for all of the prayers and kind thoughts.)

After Pat’s presentation he joined us for lunch. Here are a few shots. In the last photo are James Alburger and Penny Abshire talking with Pat.
Dan O'Day Summit 2007 lunch photo 1 Pat FraleyDan O'Day Summit 2007 lunch photo 2
Dan O'Day Summit 2007 lunch photo 3 Pat FraleyDan O'Day Summit 2007 lunch photo Pat Fraley James Alburger Penny Abshire

Don LaFontaine had to cancel his appearance at the last minute because of a family medical situation so Dan was able to arrange a last-minute substitute: Harry Shearer.
Dan O'Day Summit 2007 Dan O'Day Harry Shearer

Dan was also the presenter on the final session of the day, which focused on Directing and Thinking About One’s Career. These 2 hours were worth the price of admission, alone. Very thought provoking and helpful. In fact, I think this was probably the best presentation I’ve ever heard by Dan and after 11 years, I’ve heard a lot of Dan’s presentations.

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A great chance to learn (updated and bumped to top)

Career Advice, General, Getting started in Voiceover, People

Anna Vocino and Nancy Wolfson have a new teleseminar coming up later this month, which I mentionedd just a couple of days ago. Go to their Break Into Voice Over site to sign up. Price is just $39 this time. It’s taking place Wednesday, August 29, 2007 and starts at 6:00 PM Pacific, 9:00 PM Eastern. The title is Acting for Advertising, part 2. Again, details on how to register are at their web site. I’ve already paid my registration. I hope you will join us, too.

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VOICE 2008

Career Advice, General, Getting started in Voiceover

While the site hasn’t been updated as I type this, according to the latest edition of The Art of Voice Acting Newsletter, VOICE 2008 is going to be in Los Angeles, CA from May 18 through May 21, 2008. I look forward to seeing you there.

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A great chance to learn

Career Advice, General, Getting started in Voiceover, People

Speaking of Anna Vocino, she’s a graduate of Nancy Wolfson’s voiceover training, and has been working in partnership with Nancy on a site they call Break Into Voice Over. More importantly, they have a new teleseminar planned for Wednesday, August 29, 2007. The class starts at 6:00 PM Pacific, 9:00 PM Eastern. The title is Acting for Advertising, part 2. The price is just $39.00. All details on how to register are at their web site. I will be there. I hope you will too.

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Anna Vocino’s Point of View article

Career Advice, General, Getting started in Voiceover, People

Anna Vocino is a friend and an inspiration in the voiceover world. A few weeks ago she was featured in one of Bonnie Gilespie’s The Actor’s Voice – POV pieces. While the focus of her article is on voiceover work in Los Angeles, there’s a ton of great information that applies to anyone interested in getting serious about voiceover work.

And while you’re poking around that site, be sure to visit Bonnie’s main section with all of her The Actor’s Voice columns. There’s an amazing amount of wisdom and insight archived there, including lots of good material for us working as voice actors.

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Brand Identity

Career Advice, General

Branding is one of those terms that gets tossed around by a lot of people, some of whom know what they’re talking about. Others, not so much. I’d be in the latter category, at least most of the time. Tom Asacker, on the other hand, is one of the good guys. He’s just put out a very interesting thought piece he calls The Brand Identity Delusion (link is a PDF file) and I encourage you to read the whole thing. It runs to only a couple of pages and will be well worth your time.

And then think about how you can implement these ideas in your voiceover work. Here’s an example of what I mean. It’s my goal to leave what I usually call “a sweet taste in the mouth” of every one of my clients. I know I don’t succeed at that perfectly, but it’s my goal. I strive for this, for example, by doing everything in my power to help my clients understand that they’ve made a smart decision in hiring me to provide the voice for their project. I ask questions to be sure I understand what they need. I invite them to listen in on the phone or to direct the session live using ISDN or Source Connect. I guarantee their satisfaction by doing all needed updates and corrections at no additional charge. I can afford to make this promise because I’m not cheap. And needless to say, I suppose, I deliver their project on time.

These are just a few of the ways I’ve already put Tom’s suggestions into practice before even reading his article. I’m sure there is more I can do. And I’m going to keep thinking until I come up with at least a few of them.

(edited to fix typo)

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More still on Marketing Substance

Career Advice, General, People

Tom Asacker writes a blog on marketing called A Clear Eye. It’s always worth a look and his latest post keeps me thinking about marketing. What I find especially striking about this post is that it’s one of those thoughts that has such a ring of truth about it.
This was my favorite line…

…the more valuable the brand, the less noisy it is…

But, take a moment to read the whole thing. It won’t take long.

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Marketing substance

Career Advice, General, Tools

Among my favorite marketing blogs is GrokDotCom by the guys at Future Now. These are some of the brightest folks in the world at how to use the Internet most effectively for your business. And, while I’ve been friends with some of their employees for years, I don’t have any business connections with the company. I just admire they way they think and the way they work.

Today, for example, I was reading an article that follows up on one of their posts about who to write great copy. This particular article examines the question of “What Is Substance?” as in the phrase “Style versus Substance.”

The primary conclusion I drew from what Jeff Sexton has written in this article, at least that applies to the voiceover world, is that in addition to sound, tone and performance…one highly significant factor that influences choice is emotion. I think we tend to give too little thought to this factor when we’re making calls, sending emails, auditioning or trying to find representation. I know I do. What about you?

Read the article. Then leave a comment. I’d love to know what you think.

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Study with Rodney Saulsberry

Career Advice, General, People

I received an email from Rodney Saulsberry this evening letting me know that he still has a limited amount of room available for his most popular teleclass, The Promo and Trailer Teleclass. It will run an hour each of 6 Thursday’s in a row, starting September 20, 2007 at 5:00 PM Pacific, 8:00 PM Eastern. Detailed information and registration is available through Rodney’s site. From this training page, click on the Promo & Trailers tab.

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Who is your worst critic?

Career Advice, General, People

If you’re like me and my friend Brian Haymond, and you’re willing to tell yourself the truth, you know the answer to that question. I am my own worst critic. And as Brian writes about so well on his voiceover blog, he understands he own worst critic is the guy looking back at him in the mirror each morning. Take a few minutes and read what Brian has to say. It’s well worth a few minutes of your time.

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If you want to do audiobooks

Career Advice, General, People, Tools

In my experience there is no better way to get started doing audiobooks that to take Pat Fraley’s “Two Day Audiobook Master Event.” I received an email from Pat Wednesday with details about the next class, which is going to take place Saturday and Sunday, September 29 and 30, 2007. There are only 12 spaces available in this class, so it would be wise to let Pat know right away. Here are the details straight from his email.

Space is limited to 12 participants.

Cost:
$1400 Cash, Check or Credit Card
Payment schedules arranged upon request.

Where:
World Famous Buzzy’s Recording
6900 Melrose Avenue
Los Angeles, CA 90038

When:
10:00 a.m. – 6:00 p.m.
Saturday and Sunday, September 29-30, 2007

To Enroll:
Email patfraleyteaches@aol.com
or call (818) 400-3733

What makes this class from Pat and Hillary Huber (and always at least a few other working pros) so valuable is that you get instruction not just in ways to interpret various kinds of audiobooks, but business ideas about where to find the work. And at the end of the class, you’ll have recorded your audiobook demo. You’ll receive that demo on CD a few weeks after the class. (Less than a month after I received my demo, I had signed with an audiobook publisher for ongoing work.)

It will be money and time well spent, if working on audiobooks is something that really interests you.

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Competition?

Career Advice, General, Getting started in Voiceover, People

Sometimes you have to let someone else say a thing for you, because you’re too close to your own situation or opinions to be able to express what you mean as clearly as you’d like. That was my experience today reading an article from last month on the Future Now blog called grokdotcom.

Bryan Eisenberg wrote this post in response to a question posed by one of the site’s readers, about competition. Here is how Bryan began…

For the better part of a decade, we’ve published hundreds of articles, several books–including 2 New York Times and Wall Street Journal bestsellers–trained thousands of people, and consulted with the goal of educating the entire marketplace (including competitors) about the value-of/how-to convert website visitors into sales, leads, subscribers, etc.

During this time, we’ve armed our subscribers, competitors, licensees and friends with powerful ideas on how to better use web analytics, design more effective landing pages, how to use Google Website Optimizer, what makes people buy, why people share things through word-of-mouth, how to make your pay-per-click and search engine marketing more effective, and even about our methodology for pulling all these things together: Persuasion Architectureâ„¢.

We do it happily! As our friend Sean D’Souza likes to say, “Give the ideas. Sell the system.“

This is the key fact at the heart of this blog. I link to all kinds of other voiceover talents, including lots of other men. I link to every voiceover blog and forum I can find. I post ideas here as often as I can, either things I’ve thought about or things I’ve gleaned from other sites, articles and documents because helping you get better at voiceover helps us all, including me. As does helping you find the voice you need for your project, and then directing that voice to give you the performance needed to tell your story as effectively as possible.

You are not my competition, even if you’re auditioning for the same job that I am. If the clients decide they want Bob Souer, there’s only one voiceover talent on the planet who can pull that off…me. If they want you, it really doesn’t matter how well I did on my audition, you’re going to get the job.

I’m not going to keep the juicy stuff to myself and share some fluff now and then and try to dress it up like it’s juicy stuff. I’m going to give you every idea I have, because, as Bryan says so well in his post…

If you gave away every idea you ever had, people would still step up to ask you to help them, or do it for them. The same can’t be said if you don’t share with them at all.

Read the whole article. Then come on back because I’d love to hear your thoughts and comments.

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New audio post with solid skill suggestions

Career Advice, General, People

Kristine Oller is a brilliant career and organization coach. Her blog, while not updated all that often, is a must read. Of late, posts have been done as audio bits. The latest is packed with valuable advice. It will be 7 and a half minutes well spent. Go. Listen.

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Something to think about, seriously

Career Advice, General, Getting started in Voiceover

Launching a voiceover career is the desire of many hearts. Doing so successfully is the experience of a much smaller group of folks. There’s a very interesting thread on the VoiceOverSavvy board about this subject that would be well worth your time. Note especially the comments of Philip Banks and Bob Bergen.

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Only part of the picture

Career Advice, General, Getting started in Voiceover, Tools

There’s been quite a firestorm of angst and unhappiness on the forum sponsored by Voice123.com since the roll out of Version 2.0 of their site on July 9th. While I’ve posted here and there on the forum, I’ve tried to stay out of the firestorm itself. I was a beta tester for their new version, and what I saw of it looked like it would be both much more complex and would include much more information that the old version of the site. Some good. Some not so good. And while I use technology all the time both to do my work as effectively as possible and to make our home a more interesting and comfortable place to live, I’m interested to see how this technological solution is going to work in the long run. No doubt flaws have and will continue to be discovered. Some will be addressed. Some won’t. I see no reason to bail out of what has been a source for a significant piece of income during the last 3 years. You’ll find information posted here on the Voice123.com blog about what the team there is trying to accomplish and how they’re going about it. I wish them well.

And to be clear, there are plenty of constructive and instructive posts on the VoiceOverSavvy forums. It’s quite a delightful community of folks who are living through a time of significant change.

Naturally, while Voice123.com is working to improve their site, so are the folks at Voices.com at work on their site. You’ll find some insights into what’s coming next in this blog post on the Vox Daily blog, sponsored and hosted by Voices.com.

In the interests of full disclosure, I should note that I was a beta tester for both the upgrades at Voices.com rolled out earlier this year, as well as for Voice123.com.

(edited to add)

Oh, the title of this post? As I’m learning more and more about marketing one’s voiceover services (from great friends like Charlie, Mary, Philip, Frank, Dan, Donovan, Liz, Peter, Kara, Deirdre, Karen, Anthony, and too many more to mention here), I’m realizing that Voice123.com and Voices.com are only part of what has to be a much more focused campaign.

For example, I’m not the right voice, the right talent, the right voice actor for every script. But, for those that I am right for, most people are very happy they hired me.

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A question about studying with Nancy Wolfson

Career Advice, General, Getting started in Voiceover, People, Tools

My friend Gregory Best was talking recently with my friend Kara Edwards about studying with Nancy Wolfson, who is not only Kara’s voiceover coach, but mine as well. Actually, if you’ve been reading this blog for the last 6 months, you didn’t need me to tell you that. I’ve written often about Nancy, and in my view, with good reason.

So, Kara mentioned to Greg that I’m studying with Nancy and he wrote me a very nice email with the following questions (which he has given me permission to quote here)…

Kara says that you have also taken class from Nancy Wolfson. What did you think? Did you feel you got your money’s worth from Nancy?

Here’s my answer to Greg…

Without a doubt, studying with Nancy Wolfson has been one of the best investments I’ve ever made in my voiceover career. The key reasons:

1. Nancy is plugged in to what’s really happening “on the ground” in the voiceover world in LA right now, especially in the commercial voiceover world. She has been a talent agent (she was Pat Fraley’s agent in the past), and today not only coaches all kinds of top talent who are booking commercial voiceover work all the time, she’s also involved in casting work. So, she knows what’s going on now. She’s not teaching something she learned 10 years ago, coasting on old, out-of-date information.

2. Nancy is one of the most searingly honest people you’ll encounter in this business. She’s a very decent, kind human being, but she’s willing to tell you the truth about what’s working, what’s not working and what needs work, as far as your sound, your demo and your reads. And, as I imagine you already know, finding someone who will tell you the plain truth is rare, especially among people you’re paying.

3. Nancy is terrific working with people at whatever level. She works with top pros, mid-of-the-bench guys like me, and even relative new-to-the-business folk.

4. Nancy’s instruction is extremely practical, put-it-to-use-today kind of stuff. She cuts through a lot of the myths and points out what works, what actually books and leaves aside a lot of the nice-to-know-but-not-really-practical stuff. Her instruction is clear, full of encouragement and enthusiasm. If you do decide to study with her, I don’t imagine you’ll finish a single session with Nancy in which you don’t understand more about how to better approach your voiceover work and career.

5. Nancy isn’t just about voice acting. She’s about business. She’s about helping you book work, or more work if you’re already booking work.
I hope this helps.

In the interests of full disclosure, if you decide you want to study with Nancy and you tell her that you are doing so because of me, I’ll get a free lesson from Nancy. So, if you don’t want me to get a free class, don’t tell her you learned about her through me or this blog.

Update: Stephanie has written an excellent post on Vox Daily about Voiceover Coaches. Well worth a few minutes of your time.

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Filed Under: Career Advice, General, Getting started in Voiceover, People, Tools

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