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Getting started in Voiceover

Having friends solves problems

Getting started in Voiceover, People

Having problems is inevitable. Having friends, at least this has been my experience this week, leads to solving and overcoming those obstacles. Case in point, at the moment I’m in central Ohio on a business trip. Among the things I need to accomplish while I’m here is to record a number of long meetings so that eventually portions of these meetings can be edited and used for radio broadcasts in future months and years. But, as they do, problems cropped up.

My first and most important challenge, I discovered after arriving in Ohio that my portable audio interface is no longer reliably recording audio. Thankfully, my good friend Dan Nachtrab has a comparable audio device that he’s not using for the next few days and he’s willing to let me borrow it to get the recordings done that are my primary purpose for being here.

Second challenge, I was booked for a recording session by my agent in Pittsburgh while I’m here in Ohio. The session had to be done in person or via ISDN. Thankfully, my friend Dan Nachtrab has ISDN in his home studio and was willing to let me use his studio, especially since I was going to need to drive over to borrow his portable audio unit anyway.

So, I hop in my car and make the drive to Dan’s house in Dayton. It’s a bit of a drive, but given the fact that I can solve all of my problems in one go, it is well worth it.

A third challenge arises while I’m at Dan’s house, when I get a call from my friend Peter Brown. He needs a few voiceovers done and in fact, needs more than one voice. So, again Dan comes to the rescue. We record the audio in his studio and Dan even acts as the extra voice, which also helps solve my friend Peter’s problem of needing an additional voice for his scripts.

I took Dan and his charming wife Niki out to dinner as a small way of saying thank you for helping me out so much this week, and then gratefully drove back to my hotel room after that wonderful meal and lots of interesting and invigorating conversation.

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17 Words

Career Advice, General, Getting started in Voiceover, People

There are in fact more than 17 words in this blog post, but the title refers to something well worth seeing over at my friend Bobbin Beam’s blog. 17 words, in fact, that she keeps with her all the time. 17 words I think you’ll benefit from reading. Thanks for the good thoughts, Bobbin.

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The right voice for the project

Career Advice, General, Getting started in Voiceover, People

My friend Jeffrey Kafer has posted some cogent thoughts about how different voice actors are cast for projects on his blog. I think you’re exactly right, Jeffrey. It’s pretty much never about who has the best voice, it’s about who has the voice and performance that’s the best match for the project.

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What’s a SaVOa?

Career Advice, General, Getting started in Voiceover

The Society of Accredited Voice Over Artists is a new project you just might want to check out. Like any new enterprise, no doubt it will take a while for things to really get moving, but I think there’s a huge potential upside for this new organization.

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Dialects and Accents and Voiceovers, oh my!

Career Advice, General, Getting started in Voiceover, People

Pat Fraley, one of my favorite voiceover teachers has two new posts you should check out. First, read through his take on Vox Daily about why studying dialects and accents is so important for voice actors in the 21st century.

Then, when you’re done reading through that post, check out Pat’s Voice Over Experts podcast on Accents and Dialects.

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The brick walls are there for a reason

Career Advice, General, Getting started in Voiceover, People

They are there to let us prove how badly we want things.

The title and first line of this post come from a lecture given by a 47-year-old professor at Carnegie Mellon University who is dying of pancreatic cancer, giving, literally, his final lecture. Watch the report of this amazing, exuberant man. You will not be sorry you spent the 4 minutes and 40 seconds that it takes.

(If the video player doesn’t show in this post anymore, you can click here to see it.) My thanks to my friend Peter O’Connell for posting the link to this remarkable video on the VO-BB.

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Want to be a voiceover in games?

Career Advice, General, Getting started in Voiceover, People

Or, are you looking for voices for your game that’s under development? Then check out the the Game Developers Conference Radio podcast featuring my friends and mentors DB Cooper and Pat Fraley. And my thanks to DB for posting the link to this excellent material on the VO-BB.

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Voice123.com makes an important change to their rating system

Career Advice, General, Getting started in Voiceover, People, Tools

For some time now, when I receive a lead from Voice123.com that has “To-be-defined” as the budget amount, I delete the lead without reading further. I give credit to my good friend Amy Snively for being the spark that helped lead me to this decision. (Thank you, Amy for consistently demonstrating a professional attitude about your work. You are an inspiration.)

On the Voice123.com blog yesterday, Alex Torrenegra has posted information about a change they’ve made to the way the ratings mechanism at Voice123.com works for folks who post jobs with “To-be-defined” budgets.

From now on, the first time a voice seeker rates an audition/proposal with one or two stars we show them a large message asking them if their decision was based on the quoted price. If so, we ask the voice seeker to delete the audition/proposal instead of rating it low. This message will be seen by voice seekers in projects with budget “To-be-defined”.

I know there are lots of folks who are unhappy with the rating system at Voice123.com. I really don’t worry about it too much. There are most important things in life and work than worrying about how someone rates my auditions at Voice123.com.

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Solid Gold information about audiobook narration

Career Advice, General, Getting started in Voiceover, People, Tools

Since July of 2006 when I flew out to Los Angeles to take Pat Fraley’s Audiobook Master Class, every time someone involved in voiceover work asks me for suggestions about how to get started doing audiobooks my answer has been the same: Take Pat’s class. Here’s what I mean, quoted from a comment I left on the Vox Daily blog…

less than a month after I took Pat’s seminar, I had signed with an audiobook publisher as one of their house voices. In the following 12 months, I started working with 3 other publishing companies. One of those jobs is a massive project cast through Voices.com. Or to put it another way, I made back the money I spent on his seminar multiple times over in the first year after taking Pat’s audiobook class.

Now, maybe you can’t afford to get out to LA (or sometimes NYC) to take Pat’s class in person. Then, this post is for you. Because Pat has captured the essence of his live Master Class in a CD and 50 page Companion Workbook called Billion $ Read, How to Make Money Reading and Recording Books. Details on how to order are on the Store page of Pat’s web site. And depending on when you read this note, you could pick up the book at a $10 savings.

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Self-evaluation

Career Advice, General, Getting started in Voiceover, People

One of the most important keys to your success as a voiceover talent, especially with the way things work in the 21st Century, is self-evaluation. During VOICE 2007, my friend Connie Terwilliger presented a fabulous pair of sessions on this subject. Now, there were only a couple hundred of us at VOICE 2007, so you probably didn’t get to see and hear Connie’s presentation. Why bring up that painful point? Because Connie has now distilled much of her valuable information for the Voice Over Experts podcast.

Great stuff, Connie. Thanks for sharing so generously with us.

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Actor’s Tool-Kit #18

Career Advice, General, Getting started in Voiceover

THE IMPORTANCE OF BEING CONFIDENT

by Bob Fraser

If you’ve spent ANY time waiting to audition, with dozens of other actors going in before you, you know what it is to feel the ebb and flow of that crucial feeling of confidence.

I’m sure you know that confidence is the actor’s special need. We all know, almost as if by osmosis, that confidence is the key to everything. Confident actors win auditions.

Confidence is coin of the realm in show business.

We know it.

Our problem is that no one is explaining how we can become confident. Sure, we’ve heard all the stories – Lincoln lost every election, Edison tried over a thousand times to invent the light bulb, Harrison Ford struggled for over a decade — yeah, yeah, we know. We get it.

Persistence.

But, the thing those stories don’t tell us is… HOW?

How did Lincoln, Edison and Ford face all that failure and remain confident? Did Lincoln stand in front of a mirror chanting that he was worthy while people told him to go

back to his log cabin.

Did Edison wear a t-shirt that said, “What I really want to do is invent?”

Did Ford recite life-affirming haikus every morning of the ten years he worked as a carpenter — and watched lesser actors rise to stardom?

We already know they DID it … we just don’t know HOW they did it.

HOW TO BECOME MORE CONFIDENT

How people become confident is left out of these darn stories. We actors already know that we should be confident people. But would someone please show us HOW to do that?

Well, as it happens someone has written a book that is a seminal work in this area. Her name is Rosabeth Moss Kanter, she’s a professor at Harvard Business School, and her book is called (cleverly enough) “Confidence” (Crown Business Press, 2004).

Professor Kanter has taken the time to investigate the “how” and written it down in a clear, straight-forward way.

She started by interviewing lots of athletes and business leaders and in the resulting study she has managed to organize and illustrate the behaviors, habits, attitudes, skills and core beliefs of highly confident people. (That highly confident people are highly successful is a given … again, we know it.)

The good news? Anyone can become confident. The bad news? It takes a lot of work.

Pick me up platitudes are fine, but the real work involved, in order to become confident, is what sets the pro apart from the ‘wannabe.’ Ms. Kanter’s premise has it that confidence is not simply a frame of mind or attitude but a collection of habits, characteristics and behaviors that set events in motion in one of two directions: winning and losing.

Winners act and react to their world in one way and losers in another. Most importantly she points out that there are concrete, identifiable, signposts along the way — signposts which determine what path you are on.

For instance:

Confidence that isn’t supported by hard work and realistic expectations is nothing but wishful thinking. Success comes with its own problems of sustaining and improving results. Confidence is complicated and cannot be taken for granted.

There are different kinds of confidence for different kinds of attainments.
And those are just a few of the important insights that are illustrated by real-world examples in this study.
In order to help as much as I can, in a short article, here’s a short list of habits I’ve paraphrased from the book. Habits that you will always see in confident (and therefore successful) — oh, let’s say ACTORS, for instance:

1. Confident pros are open to criticism or suggestions.
2. Confident pros are honest about their own abilities and limitations.
3. Confident pros seek the advice and input of others.
4. Confident pros learn from their mistakes.
5. Confident pros set realistic goals, and have realistic expectations.
6. Confident pros are willing to work hard to achieve their goals, and DO.
7. Confident pros take personal responsibility for their fate.
8. Confident pros embrace new challenges and take reasonable risks.
9. Confident pros replace bad habits with good habits
10. Confident pros EXPECT good things to happen.

OR …

The opposite side of the theatrical coin is the perennial wannabe. These are almost precisely wrong habits and behaviors:

1. Wannabe’s react defensively to criticism
2. Wannabe’s are not honest about their abilities or limitations.
3. Wannabe’s shun the advice or input of others.
4. Wannabe’s tend not to learn much from their mistakes.
5. Wannabe’s set unrealistic goals and have unrealistic expectations.
6. Wannabe’s use problems (it’s hard) as an excuse not to try.
7. Wannabe’s blame others for things that go wrong.
8. Wannabe’s avoid new challenges and want to play it safe.
9. Wannabe’s repeat self defeating habits over and over again.
10. Wannabe’s expect the worst and often get it.

If you are interested in learning about the “how” of confidence I recommend Ms. Kanter’s book unreservedly. This is a book every actor should read who wants good instruction on having confidence and keeping it.

One caveat: what might look easy to do, on the surface, is often the hardest thing to actually attain.

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PERMISSION TO REPRINT: You may reprint articles from Actor’s Tool-Kit, on your website or electronic newsletter. However, in order to comply with my copyright, you must also include the following paragraph with your reprint: “Reprinted from ACTOR’S TOOL KIT, the email course just for subscribers of Show Biz How-To — The Free Actor’s Monthly. Get your own free subscription by going to: showbizhowto.com Copyright © 2006 Bob Fraser Productions All Rights Reserved”

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PRIVACY STATEMENT: Bob Fraser Productions will NEVER share your personal information with anyone. Ever. Period.

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Superb audiobook narration information

Career Advice, General, Getting started in Voiceover

With thanks to my friend Joe Rodriguez for posting the link on the VO-BB, here is a place on the AudioFile site called Narrator’s Corner. If you want to narrate audiobooks, you’ll find a ton of valuable information.

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James and Penny’s teleseminar series

Career Advice, General, Getting started in Voiceover, People

James Alburger and Penny Abshire have been teaching voiceover workshops for years. They are two of the three very nice people who presented the VOICE conference (the third being Frank Frederick) in Las Vegas and will be presenting the VOICE 2008 conference in Los Angeles.

So, now that you know something about James and Penny (follow the links to learn a whole lot more), here is most of the contents of an email I received from them a few minutes ago. If you’ve wished you could find a way to participate in an interactive, group, voiceover training for under $100 a class, this is going to come as very good news indeed.

We’ve spent a great deal of time working on a Voice Acting Telecourse that will give you the essential information you need in order to master the craft and business of performing for voiceover – whether you’re just starting out . . . or a seasoned pro. You’ve probably noticed that there aren’t very many voiceover classes offered as a Telecourse – and those that are available are quite expensive – often more than $100 per class!

For most classroom voiceover training, you must deal with local traffic or travel to a different city. We still plan on teaching our San Diego and Roadshow workshops – and we’d love to see you there – however, we know hard it can be to learn the subtleties of performing for voiceover . . . especially if you live in a city far from the nearest VO coach, or if you’re not in a position financially or timewise to attend a classroom voiceover workshop. We’ve solved your problem!

We’ve studied just about every other VO course out there and we’ve come up with a Telecourse that will give you the basic skills and essential information you need – and more important – our 8-week Telecourse is very affordable!

No traffic.

No traveling.

No hotels.

No high tuition.

No hassles.

No kidding!

All it takes is a phone call! Actually two phone calls – one to register, and another to attend the Telecourse each week.

Here’s your official invitation (ed: and FAQ):

What?: The Art of Voice Acting 8-week Telecourse – a teleseminar focusing on the craft and business of voiceover.

When?: Every Wednesday evening beginning September 5th, 2007

Where?: Your telephone

What time?: 5pm Pacific Time (8pm ET)

How long?: This course runs for 8-weeks. Each class is approximately 90 minutes in length.
What’s the content?: The Art of Voice Acting 8-week Telecourse will include most of the primary lecture material we cover in our AOVA 8-week and Weekend workshops, plus a few surprises. Complete information is at www.voiceacting.com/training/teleseminars.

How many in the class?: The AOVA Level 1 basic 8-week Telecourse is limited to 25. There will be assignments each week, and some submitted files may be played during a Telecourse session. There will also be on-mic coaching each week. Our Personalized on-mic coaching is reserved for our Level 2 class, which is limited to only 8 people per call. You must be a graduate of the basic 8-week Telecourse or one of our other 8-week or Weekend workshops to participate in our Level 2 personalized coaching Telecourse.

How will it work?: As soon as you register, you’ll receive an email that includes all the details for the first Telecourse call, PLUS a link to your Telecourse Yahoo Group for messaging, downloads, and uploads. Your first download will be an MP3 file that will give you an overview of voiceover and prepare you for the Telecourse. Each week you’ll receive a special phone number to call along with a password for each class. To attend, you simply make a phone call from the comfort of your home . . . or wherever you are.

Who teaches the Telecourse?: Each call is hosted by James Alburger and Penny Abshire, two of the top voiceover coaches in the US. You can learn more about Jim & Penny at www.VoiceActing.com and you can read what their students think of their workshops at www.voiceacting.com/testimonials.

How much?: A ridiculously low $47 per session -which includes access to on-line workshop notes and other materials. Of course, the cost of a long-distance call will also apply. (For most, that’s well under $5.00 for a 1-hour call).

Note: If you were an attendee at VOICE 2007, we have a very special price for you for this Telecourse. Please call Penny at 858.484.0220 for details.

What else?: As a Telecourse graduate, you’ll be entitled to our AOVA Graduate “Serious Discount” for future AOVA Weekend Workshops. That means you’ll be able to attend ANY of our live Weekend Workshop in the future at a “serious discount”!

Anything more?: Each class will be recorded and will be available on-line for about a week after each class. Download the MP3 file to your computer, put it on your IPOD, or burn it to a CD for future reference.

Why are you doing this?: Our goal is to provide you with the best information and training possible to help you learn the critical skills for working as a voice talent. The Art of Voice Acting book has become the most popular book on voiceover, and our workshops have gained a reputation for being among the best training in the country. Now, it’s time for us to make our training available to more people who want to learn about voiceover.

How do I register?: Call us at 858.484.0220 to register. Sorry, but due to the nature of this Telecourse, we can’t take on-line registrations.
As a registered student of our Art of Voice Acting 8-week Telecourse, you’ll receive critical information, performing techniques, tricks of the trade, and insider business secrets that will get you started on the road to being a successful voice talent.
For all the details, visit www.voiceacting.com/training/teleseminars right now, while you’re thinking about it!
Or call us at 858.484.0220 to be among the first to register. Please call only between 9am and 5pm Pacific time M-F.

Stay in Character!
James R. Alburger & Penny Abshire
VoiceActing.com ~ We make you sound great!
13639 Freeport Rd.
San Diego, CA 92129
voice: 858.484.0220
fax: 858.484.7493
e-mail: info@voiceacting.com
visit our website:www.voiceacting.com – Training and Resources in The Art of Voice Acting

Email submissions become the property of VoiceActing.com. We reserve the right to re-print any questions and our reply in any media. If you prefer to remain anonymous,

please let us know. Please include the original correspondence in your reply.

Get your personally autographed copy of James Alburger’s book, (The Art of Voice Acting, 3rd edition) and Penny Abshire’s book, (Demo & Marketing Magic for Voice Actors), on-line at www.voiceacting.com.

Subscribe to the free Art of Voice Acting newsletter by visiting www.voiceacting.com/elists.

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Summit 2007, Day 2

Career Advice, General, Getting started in Voiceover, People

The first half of this day was given to writing. But, as is nearly always the case when Dan O’Day is teaching writing, much of that time included opportunities for us to get up and read what we’ve written. Taking part in those exercises this year were my friends Donovan Corneetz, Dick Terhune and Pam Tierney. Here the three of them are waiting in line for their turns to read.
Donovan Corneetz, Dick Terhune and Pam Tierney waiting to read at Summit 2007
Donovan does his read.
Donovan Corneetz reading at Summit 2007
And Pam follows.
Pam Tierney reading at Summit 2007
Pam got a chance to work one on one with Dan O’Day at one point as well.
Pam Tierney and Dan O'Day at Summit 2007
And Dan was nice enough to take a moment to pose with my friend Mike Carta and me.
Mike Carta, Dan O'Day and Bob Souer at Summit 2007
In between sessions, there was plenty of times for conversation. Here Pam is talking with Chris Wagner and Melanie Myers.
Pam Tierney, Chris Wagner and Melanie Myers at Summit 2007
The final 3 hours were given over to casting director Terry Berland.
Casting director Terry Berland at Summit 2007
She gave us a great look behind the scenes of the way casting works in the highest echelons. And then worked with many of us as we read copy she’d brought along. It was great fun to experience reading for someone of her stature and talent. And Terry’s description to us at the end of her presentation was that it was great fun for her as well.

Another great year is in the books. I hope you’ll join us next year. And as time permits over the next couple of days, I’ll add some further descriptions and details from some of these sessions.

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Summit 2007, Day 1

Career Advice, General, Getting started in Voiceover, People

This year is another great experience at the Dan O’Day Summit in Los Angeles. We began on Thursday evening with our annual closed door session for those of us who have been to previous Summits. Dan calls us “Repeat Offenders.”
Dan O'Day Summit 2007 - Thursday part 1 Dan O'Day Summit 2007 Thursday part 2

The main events kicked off this morning with Dan O’Day presenting a superb session about writing powerfully. It’s a seminar he calls Hypnotic Advertising. Lots of insights into the way people understand and receive information.

Then Pat Fraley came and presented a pile of terrific ideas drawn from his Slick Tricks Smuggled Out of Hollywood seminar. Excellent, with loads of valuable information for voiceover work, as well as tips for directing. (By the way, Pat gave an update on his wife, Renee. She’s not completely back to full health, but is doing much better. He offered his thanks for all of the prayers and kind thoughts.)

After Pat’s presentation he joined us for lunch. Here are a few shots. In the last photo are James Alburger and Penny Abshire talking with Pat.
Dan O'Day Summit 2007 lunch photo 1 Pat FraleyDan O'Day Summit 2007 lunch photo 2
Dan O'Day Summit 2007 lunch photo 3 Pat FraleyDan O'Day Summit 2007 lunch photo Pat Fraley James Alburger Penny Abshire

Don LaFontaine had to cancel his appearance at the last minute because of a family medical situation so Dan was able to arrange a last-minute substitute: Harry Shearer.
Dan O'Day Summit 2007 Dan O'Day Harry Shearer

Dan was also the presenter on the final session of the day, which focused on Directing and Thinking About One’s Career. These 2 hours were worth the price of admission, alone. Very thought provoking and helpful. In fact, I think this was probably the best presentation I’ve ever heard by Dan and after 11 years, I’ve heard a lot of Dan’s presentations.

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A great chance to learn (updated and bumped to top)

Career Advice, General, Getting started in Voiceover, People

Anna Vocino and Nancy Wolfson have a new teleseminar coming up later this month, which I mentionedd just a couple of days ago. Go to their Break Into Voice Over site to sign up. Price is just $39 this time. It’s taking place Wednesday, August 29, 2007 and starts at 6:00 PM Pacific, 9:00 PM Eastern. The title is Acting for Advertising, part 2. Again, details on how to register are at their web site. I’ve already paid my registration. I hope you will join us, too.

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VOICE 2008

Career Advice, General, Getting started in Voiceover

While the site hasn’t been updated as I type this, according to the latest edition of The Art of Voice Acting Newsletter, VOICE 2008 is going to be in Los Angeles, CA from May 18 through May 21, 2008. I look forward to seeing you there.

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A great chance to learn

Career Advice, General, Getting started in Voiceover, People

Speaking of Anna Vocino, she’s a graduate of Nancy Wolfson’s voiceover training, and has been working in partnership with Nancy on a site they call Break Into Voice Over. More importantly, they have a new teleseminar planned for Wednesday, August 29, 2007. The class starts at 6:00 PM Pacific, 9:00 PM Eastern. The title is Acting for Advertising, part 2. The price is just $39.00. All details on how to register are at their web site. I will be there. I hope you will too.

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Anna Vocino’s Point of View article

Career Advice, General, Getting started in Voiceover, People

Anna Vocino is a friend and an inspiration in the voiceover world. A few weeks ago she was featured in one of Bonnie Gilespie’s The Actor’s Voice – POV pieces. While the focus of her article is on voiceover work in Los Angeles, there’s a ton of great information that applies to anyone interested in getting serious about voiceover work.

And while you’re poking around that site, be sure to visit Bonnie’s main section with all of her The Actor’s Voice columns. There’s an amazing amount of wisdom and insight archived there, including lots of good material for us working as voice actors.

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Competition?

Career Advice, General, Getting started in Voiceover, People

Sometimes you have to let someone else say a thing for you, because you’re too close to your own situation or opinions to be able to express what you mean as clearly as you’d like. That was my experience today reading an article from last month on the Future Now blog called grokdotcom.

Bryan Eisenberg wrote this post in response to a question posed by one of the site’s readers, about competition. Here is how Bryan began…

For the better part of a decade, we’ve published hundreds of articles, several books–including 2 New York Times and Wall Street Journal bestsellers–trained thousands of people, and consulted with the goal of educating the entire marketplace (including competitors) about the value-of/how-to convert website visitors into sales, leads, subscribers, etc.

During this time, we’ve armed our subscribers, competitors, licensees and friends with powerful ideas on how to better use web analytics, design more effective landing pages, how to use Google Website Optimizer, what makes people buy, why people share things through word-of-mouth, how to make your pay-per-click and search engine marketing more effective, and even about our methodology for pulling all these things together: Persuasion Architectureâ„¢.

We do it happily! As our friend Sean D’Souza likes to say, “Give the ideas. Sell the system.“

This is the key fact at the heart of this blog. I link to all kinds of other voiceover talents, including lots of other men. I link to every voiceover blog and forum I can find. I post ideas here as often as I can, either things I’ve thought about or things I’ve gleaned from other sites, articles and documents because helping you get better at voiceover helps us all, including me. As does helping you find the voice you need for your project, and then directing that voice to give you the performance needed to tell your story as effectively as possible.

You are not my competition, even if you’re auditioning for the same job that I am. If the clients decide they want Bob Souer, there’s only one voiceover talent on the planet who can pull that off…me. If they want you, it really doesn’t matter how well I did on my audition, you’re going to get the job.

I’m not going to keep the juicy stuff to myself and share some fluff now and then and try to dress it up like it’s juicy stuff. I’m going to give you every idea I have, because, as Bryan says so well in his post…

If you gave away every idea you ever had, people would still step up to ask you to help them, or do it for them. The same can’t be said if you don’t share with them at all.

Read the whole article. Then come on back because I’d love to hear your thoughts and comments.

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