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Career Advice

What’s the best $500 you’ll spend this year?

Career Advice, General

There are many people, places and things on which you could spend $500 this year to raise your work to a new level, to have fun and to learn. Several of them good, practical and useful. But, one event that’s a don’t miss every year is the International Radio Creative and Production Summit held in Los Angeles every August and presented by Dan O’Day. If you register today or tomorrow, you can still take advantage of the early bird discount rate of $495. The price rises to $595 on Monday. At that price it’s still going to be one of the best learning opportunities you’ll have this year, but why spend the extra $100?

This year’s guest speakers include Dave Foxx from Z100 in New York. Pat Fraley. And Nancy Wolfson. Dan has added a “networking” event this year, so you will leave the Summit with your own new network of complementary telents from around the world. (Yes, it really is an international event.) I’ve attended every Summit since the second one in 1997. It has been gigantically beneficial to me and my voiceover business. There’s always valuable information for voiceover folk. And if you do some copywriting and production too, it’s even more valuable.

When you register for the International Radio Creative and Production Summit online (and that’s the only way to still take advantage of the early bird discount) and you put in the comment box at the bottom of the registration page that you’ve signed up because I recommended the Summit to you (and if this is your first year to attend) Dan will pay me a commission. The registration rate you pay will be exactly the same no matter what, but in the interests of full disclosure I want you to know. So, if you don’t want me to get the commission on your registration, don’t mention my name. But, if you want me to get the commission, then please do.

(edited to fix typo)

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Too many business books?

Career Advice, General

Or, more specifically for you my voice acting reader, too many books and articles about voiceover? That question prompts Tom Asacker to write cogently and powerfully about a vitally important idea.

This is a moment in time that holds more possibilities for you than any period in the history of humankind. And the only thing standing between you and the results you truly want is you – and your need to control it. That’s right! Your mind is your enemy. And control is your albatross.

Control destroys relationships. Control blinds you to opportunities. Control shuts down your inner voice. Control is driven by your ego’s need to serve itself. Control is an illusion you cling to primarily to alleviate your fears.

There’s a lot to digest. I heartily recommend you read the whole thing.

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Can you say "no"?

Career Advice, General

Seth Godin speaks to every voice actor today (though his intent I’m sure is broader than that) when he speaks about “Saying no.”

(edited to fix typos)

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Living in a half-built house?

Career Advice, General

When people believe the world is going to end in six months, they’ll do all kinds of strange things. Like live in a house that’s only half finished. Peter Bregman blogs about how that situation parallels the way a lot of us are living these days. I found Peter’s blog while reading Bill Taylor’s blog post about Recession Leadership, a post that’s also well worth a few minutes of your time. My thanks to Tom Asacker for linking to Bill’s blog post yesterday.

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You auditions, weak or strong?

Career Advice, General

Take a look at the question of auditions with the multitalented Bill Holmes on Voiceover Xtra.

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What kind of attention?

Career Advice, General

Tom Asacker writes today about the constant search for attention in the marketplace. He cautions that much of this search for attention is, at best, wasted effort and may even be counter-productive.

Sure, if something pops into view, people will be compelled to look at it . . . once!  But spending money to force it to pop into someone’s view is a flawed approach.  Like the buzz of mosquitos, the annoyance will ultimately be ignored or brushed off.  If they become a big problem, folks will purchase products to eliminate them.

What are you (what am I) doing to be genuinely different, to deliver genuine value, in today’s overcrowded media marketplace?

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Any acronym for success?

Career Advice, General, Getting started in Voiceover, People

That’s what my friend Dave Courvoisier has found. PRNDL. If you drive an automatic transmission car you’ll recognize that sequence of letters of course, but Dave has found another application for them. Good stuff, Dave. Thank you.

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You must act

Career Advice, General, Getting started in Voiceover

Bob Fraser is a source of a great deal of valuable guidance and information for actors of all stripes. Much of what he has to say cuts right to the heart of the matter for us who work primarily or exclusively as voice actors. With his permission, here is the contents of a lengthly email I received from him today.

——————————-
Why Most Actors Fail

Today’s missive is going to upset a few of you. But, to be
blunt, I don’t do this to make friends – I do this to help
SOME actors build successful careers.

Let’s begin …

As an actor who yearns for a professional career, you must
start with the knowledge that you are facing a locked door.

On the other side of that door is the career you’ve always
wanted – great projects, lots of work, recognition and your
choice of roles.

But the key that unlocks that door is all wrapped up in your
belief in yourself.

Because until you are convinced that you DESERVE the career
you want – until you BELIEVE in your product (YOU) – until
you are capable of recognizing REALITY, you will not do the
one thing that makes everything happen … which is to SELL!

If you read my posts, blogs and other writings, I’m sure you
have realized, by now, that I’m pretty darn aggressive about
selling my many acting career courses.

In fact, according to some, I’m “too damn pushy” and I sell
too much.

Now, I realize that there are a lot of actors out there who
don’t like to be sold anything. Some actors get real huffy
when they think I’m treating them like ‘customers.’

And heaven forbid I should ever be too “pushy” about selling
anything to them. After all, most actors are ‘broke’ – and I
should know that.

Behind this attitude towards sales and selling lies the reason
most actors are ‘broke’ – and the real reason that most actors
never have the successful career they say they want.

=======================
SOMEDAY THEY’LL NOTICE ME
=======================

Here’s what I mean: Unfortunately the great majority of actors
are simply unsure of their value – and, because of this, they
behave as if they will be ‘unmasked’ as untalented, unworthy,
untalented pretenders – who don’t deserve consideration.

That’s why a lot of actors ‘undersell’ themselves.

They opt for ‘safe,’ they ‘hang back,’ and most egregiously
they don’t go ‘all out’ in the pursuit of their business.

They seem to believe that the ‘soft sell’ is the way to get
through that door. That all they have to do is show up – and
one day it will become obvious to the buyers that they are
deserving, talented, committed, and ready for success.

Of course, by underselling, ‘hanging back’ and generally acting
diffident, those kind of actors don’t risk anything more than
being told ‘no’ – which they expect – as opposed to being told
they don’t have what it takes to ‘make it.’

That’s what the anti-sales attitude is all about; avoiding the
risk of being totally rejected.

Of course, if you intend to be a professional paid actor, this
attitude is a disaster of epic proportions.

=============================
SELLING CANDY IN THE PARKING LOT
=============================

It’s a behavior that is analogous to the kid selling candy in
front of the supermarket who starts his sales pitch like this:

“You wouldn’t want to buy a dollar candy bar, would you?”

That approach almost guarantees you will say “no.”

In fact your “no” is exactly what that kid is expecting. As a
result, the kid feels justified in his approach because now he
knows he was right about what to expect.

See, for that kid, being ‘right’ is more important than selling
you a candy bar.

The successful kid approaches things far differently: “You can
help a lot of kids improve their lives by purchasing just one
of my delicious candy bars – how many do you want?”

Sure, the second kid risks exactly the same rejection – the same
“no” – but believe me, she sells a lot more candy bars.

Look, selling is the most important component of success in
any business. Successful people know that they must sell and
that they must remain unconcerned about those who may find
their approach to business … “too damn pushy.”

Since my main goal is to teach actors how to be successful in
our business – by showing them how to DO business – I believe
the most effective way is to show by example.

That’s why I’m willing to risk the upset some actors feel when
I’m ‘selling’ them something. It’s the reason I utilize what
some call the ‘hard sell.’ Because I know that approach is the
approach that WORKS.

It’s precisely that approach that gets actors to professional
status – and eventually to the red carpet.

Everyone who ‘makes it’ in show business MUST be “pushy.”

==================
WHAT IT REALLY TAKES
==================

Pushing yourself forward is pretty much the only way to stand
out from the crowd. It’s also the only way to make forward
progress. So that’s what I do with my stuff, because I want
to stand out from the crowd – and be successful.

Make no mistake … every sale in show biz is a ‘hard sell.’

That’s the reason I continue using the so-called ‘hard sell’
when I know that some actors just don’t like it. I do it
that way for two reasons:

First, I know it works.

And secondly, when I first started, I observed the failure
rate actors faced – and realized that it was the ‘undersell’
or ‘soft sell’ approach that was behind all those failures.

So I got aggressive. I focused on selling.

The result of that decision, some five decades ago – is that
I’ve been successful for a very long time in a business where
most people have a hard time even making a living.

To be blunt, I’m aggressive about advertising and selling my
products now because I know how much my stuff can be worth to
an actor whose REAL goal is to become a successful actor.

This is a business where putting yourself forward and ‘closing’
those hard sales are the twin pillars of success. (And the only
way that is proven to work, year after year.)

Here’s the truth behind the feelings some actors have about
selling and being ‘sold’ …

=================
HANDLING THE TRUTH
=================

Success in our business isn’t about who is the most talented,
or who has the best training, or who loves acting the most.

The proof of that is something you’ve probably said to yourself
on more than one occasion.

I’m sure you’ve observed a lot of actors who might charitably
only be called ‘talent challenged’ and complained about their
successes. Or griped about some actress who keeps getting work
even though she never studied acting at all. Or you’ve looked
at some stars and wondered aloud why anyone would pay to see
them – since it is patently evident that they are terrible
actors.

Yet, there they are, on television, in movies, getting their
star in the sidewalk, working constantly, being the subject
of interviews, being sought after – and pretty much living
the dream you hold so dearly.

Why?

Because those actors understand that this is a business and
they focus their energies on selling and promoting themselves
– and most of them do it quite aggressively.

What I know is this: Once you get past the idea that you can
undersell yourself or engage in the
soft sell approach and
succeed – after you’ve dispensed with the idea that talent,
training and love of craft will get you where you want to go
…. that’s when you’ll be ready to go to work on the things
that DO matter:

ADVERTISING.
PROMOTION.
“THE HARD SELL.”

You see, those actors who worry about ‘bugging’ the casting
directors, offending their sensitive artistic pals, and steer
clear of ‘selling’ themselves – are going to find themselves
standing on the wrong side of that door for a long time.

Only those actors who have confidence, believe in themselves
and SELL at every opportunity – have any hope of opening that
door

Of course, it doesn’t happen by itself – you can’t just think
these skills into existence … you WILL have to take action.

Or, as I like to say … YOU MUST ACT!

===================
SPEAKING OF SELLING
===================

I’ve gotten a lot of emails asking me how You Must Act! is
different from all the other acting information that’s ‘out
there.’

The best explanation is this: Almost everything you have
learned about acting is about how to act. You Must Act! is
about how to become SUCCESSFUL professional actor.

That’s why I call it an ACTING CAREER COURSE.

You Must Act! is a computer-based course that clarifies the
methods, techniques, strategies, and skills used by successful
actors – to build well-paying careers in the entertainment
industry.

And these are not the same old shopworn “tips” you’ve probably
seen all over the internet. This is vital information that,
according to Emmy Winner Robert Guillaume … “propels actors
to amazing and exciting results.”

Tony Winner Rene Auberjonois (Star of Boston Legal, Star Trek,
M*A*S*H, The Patriot, and many others) had this to say …

“What an achievement! What a GOLD MINE of essential information.
Bravo! It’s the kind of stuff I wish had been available in one
package when I was stumbling around trying to get started.”

You Must Act! works for actors of all ages – and all stages of
career development. In other words it can help you if you’re
just getting started … or if you are in mid-career and your
booking rate is stalled.

I get lots of great comments from readers and users:

“What it contains is worth millions.”

“I feel like the power is back in my hands.”

“You Must Act has had a profound effect on my career. I cannot
thank you enough.”

(You can read dozens of letters from actors all over the world
– who are thrilled with the results they’ve gotten from You Must
Act! – on the site.)

So, why not discover how good information, explicit success
techniques, no-nonsense, practical, step-by-step instructions
can put the power back into your hands. The power to actually
take effective action and dramatically improve your career.

If you MUST act … go to the site now, and check it out.

GO HERE ==> http://www.youmustact.com

Have a splendid day and, as always …

Much Success,
Bob (Fraser)
——————————-

Bob, thank you for permission to re-publish your missive today. Very well said.

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The Annual Post Promax Voiceover Intensive for Established Professionals

Career Advice, General, People

Marice Tobias who is both my voiceover coach and my friend will be a featured speaker at Promax this year. Marice will then conduct her traditional follow-up weekend incorporating the news and views expressed by producers, stations and networks at the Conference in this pivotal year of change.

The Promo challenge for performers is to continually distinguish the vast and varied demands of the read in all its subtleties and shifts.

Trailer is the most elusive discipline in VO, yet it’s growing in number and in diversity. The trailer read informs and influences all other aspects of VO and is an imperative skill for serious players.

With the expansion of Cable and the Internet, Narration is the ever-growing opportunity for performers to deepen their footprint and opportunities.

Creative teams are compact and fluid. Networking and recommendations, genre to genre, promos to shows, shows to networks are guided by social media as much as personal experience. The more chips you have on the table, the better.

The Post Promax Voiceover Intensive for Established Professionals. New York City – Saturday and Sunday June 20 & 21, 2009 from 10am-5pm each day. New attendees: $775. Returning: $650. Call Stacey Stahl at Creative Entertainment Management 503.246.2239 to bookmark your spot.

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Filed Under: Career Advice, General, People Tagged With: marice tobias, narration, promo, trailer, Voiceover, voiceover coaching

The value of frog eating

Career Advice, General, People

Dave Temple offers some mighty valuable counsel on his blog. As strange as it may sound it has to do with Eating a Frog at the start of the day. Read the post. You’ll understand.

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Making the connection

Career Advice, General, People

A few days ago on her voiceover blog, my friend Bobbin Beam provided some solid advice for how to find and keep your connection with the stories you’re telling as part of your voiceover work.

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SWOT your voiceover business

Career Advice, General, Getting started in Voiceover, People

My friend Greg Houser helps you look at your voiceover business from four key points of view in this blog post called “It might be time to take a SWOT at your VO Business.” Excellent stuff from an excellent mind.

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Organizing and Tracking your performing business

Career Advice, General, People

The Quasi Glamorous Life is a podcast featuring Mercedes Rose and Harold Phillips, which I’m adding to my blogroll today. Their episode 9 features an interview with Brian Vermier and Kristina Hughes from HoldonLog, the company that makes PerformerTrack.

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Directing voiceover sessions

Career Advice, General

With my thanks to my friend Dan Nachtrab who pointed me to my friend Zurek’s blog where I found the link, here’s a fabulous article about directing voiceover sessions for games. Lessons here for all of us, my friends. From voice actors to the folks who hire them, we all have to raise our game to newer levels just to stay current. Beyond that is even better of course.

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Summit 2009 — a first peek

Career Advice, General

Dan O’Day blogs today for the first time about some of the preliminary details of the 2009 edition of the International Radio Creative and Production Summit. This years’ will be the 14th annual edition of the stellar event. I’ve attended 12 of the previous 13 and it has been a stunningly valuable time for me each year. Even as my business has focused more and more narrowly on voiceover, the Summit continues to be a must-attend event for me.

By the way, should you (when Dan posts the actual registration information) decide to put my name in the comment box of the registration form as the person who recommended the Summit to you, and if this is your first year to attend, I will receive a commission. Your registration price is the same regardless, but if you don’t want me to get a commission, don’t put my name in the comment box on the registration form. No matter what you decide on that score, I hope to see you there in Los Angeles in August.

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Ready to launch into audiobooks?

Career Advice, General, People

I’ve posted a number of times on my blog that I believe the very best way to launch yourself into the world of narrating audiobooks is by taking Pat Fraley’s audiobook master class. Next month, May 9, 2009 specifically, you have your next opportunity. The event is called, this time, The Audiobook Reading Royalty Event, and takes place once again at World Famous Buzzy’s Recording in Los Angeles.

Pat has, as usual, provided a free first lesson which you can hear when you click the audio player.

[audio:https://bobsouer.com/pix/PatFraley_RoyalOverview.mp3]

All the details including registration information is at Pat’s web page for The Audiobook Reading Royalty Event.

(Updated to add:) Oh, and about the name? That’s because Scott Brick and Renee Raudman will be co-teaching at this event with Pat. Scott and Renee really are the King and Queen of audiobook narrators, with Pat playing the role of Court Jester I think. In any case, it will be a great experience that will set you up for audiobook work like nothing else you can do.

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Voice acting hobby or business?

Career Advice, General, People

My friend John Florian emails with a link to an article just published on his VoiceOverXtra site by Miata Edoga on taking control of your finances. Good stuff here. Very good stuff.

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How to derail yourself

Career Advice, General, Getting started in Voiceover, People

OK. You probably don’t actually want to know how to derail your voiceover business. But, maybe it’s work thinking about whether there are some traps into which you’ve fallen that aren’t helping you. In that case, take a few minutes to check out my friend and mentor Philip Banks and his latest blog post on Voiceover Universe. It’s called The ten top traps Voice Overists love to put their feet in. It’s well worth a couple of minutes of your time.

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Is your pantry full?

Career Advice, General, People

I love reading Kara Edwards’ blog because she writes about food and lots of other topics I like in addition to always having something valuable to say about voiceover work. Her entry from a couple of days ago asks some good questions and points out some things you should think about for your own career.

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Rate card ideas

Career Advice, General

I know a lot of people wrestle with questions about what to charge for specific kinds of voiceover work. David Goldberg of Edge Studio has published an article over at VoiceOverXtra with a number of thoughts and suggestions about rates for voiceover work.

David has also published a list of suggested rates on his site.

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