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Career Advice

One day workshops with Marc Cashman announced

Career Advice, General, Getting started in Voiceover, People

Marc Cashman emails with details about a number of one-day voiceover workshops he’s planning for 2009.

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In response to overwhelming demand, and in an on-going effort to “raise the bar” in V-O instruction, I’m scheduling a series of exciting, but rigorous one-day workshops in specialty areas of voice-over.

In the past, in addition to my practical, foundation-building course structure, I’ve brought in top voice talent as guest directors to give students challenging exercises that will prepare them for the real world of voice work. But starting in 2009, I’ll be inviting the top directors and producers in the U.S. in various fields of voiceover to participate in my workshops. These people will share their insight and expertise, and students who sign up for these workshops will be performing in front of decision-makers—people who are in a position to actually cast and hire talent.

My special guests will be owners/producers/directors of award-winning production companies in various specialty areas: videogames, audiobooks, animation production and commercials. I’ll also be inviting other top experts to share their advice, tips and techniques in areas outside of performance—areas like the business of voiceover: promotion, packaging and publicity, as well as the technical areas of home studio installation and recording.

Some of these workshops will be limited to advanced students and part-time and full-time professional voice talent (and only ten per event). Other workshops will be open to Beginning and Intermediate students. All workshops will provide breakfast, lunch and snacks, and run from 10AM to 6PM.

-Videogame Workshop – Jan. 17th, 2009

-V-O Demo Prep Workshop – Jan. 24th, 2009

-Audiobook Workshop – date to be announced

-The Business of V-O Workshop – date to be announced

-Home V-O Recording Workshop – date to be announced

-V-O Narration Workshop – date to be announced

-The Art of Dialogue Workshop: Timing, Comedy, Drama, Characters – date to be announced

-The Art of Retail Workshop: Proven Approaches to Effective Delivery – date to be announced

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If you had a chance to see Marc at VOICE 2008 you all ready know he’s both very insightful and very funny. And while I have not studied with Marc personally, several of my friends have and they all sing his praises. You’ll find Marc’s contact information on his website.

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Positioning and voiceover

Career Advice, General, Getting started in Voiceover

My friend Michael Minetree has published a superb article on his blog about positioning oneself for success. The article is called Positioning for Voice Over Success – Are you ready when opportunity knocks? I think you’ll find it well worth a few minutes of your time.

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Stressed?

Career Advice, General

Tom Asacker is a very bright man with insights into lots of aspects of life, not just marketing. On his blog he features a re-post of one of his best from the last few years, some superb insights into how to truly deal with the stress we all encounter.

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Customer value

Career Advice, General

In the current down economy, the way a company presents itself to its customers is vital. No big insights there. However, if you’ll click through to Tom Asacker’s cogent blog post on this subject, you’ll see there’s a world of difference between framing the perception of value and adding to perceived value.

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TeleVoice Workout

Career Advice, General, Getting started in Voiceover, People

Deb Munro does a teleseminar on the last Wednesday of each month. You’ll find details on her web site here.

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If you ever have to move

Career Advice, General, People

Kara Edwards is one of my very favorite voiceover people. Not only is she wonderfully talented, but she has a knack for taking the difficulties she encounters and turning them in to valuable lessons for her own life and for us. She’s written up a Top 10 List of things to do if you have to relocate your voiceover business, a list based on the lessons she’s just learned from her move from Charlotte to Tampa. It’s well worth your time even if you’re not thinking about moving.

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Getting out the word

Career Advice, General

Donna Reed offers some thoughts about preparing press releases that are well worth a few moments of your time.

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Room for 2 in Portland

Career Advice, General, People

If you’ve been reading my blog posts about studying with Marice Tobias, and you’re a working voice actor, there are two seats available at the workshop she’s holding in Portland, Oregon the weekend of December 6th and 7th. This seminar is called Raising the Bar. (If you don’t, someone else will.) It will concentrate on commercial and promo work.

These professional intensives have become touchstones for established talent to continually expand, enhance and elevate their craft and skills. Dedicated to the ongoing career and the challenges created by technology, time and overwhelming competition, we arm you with the latest information on style, trends and techniques to masterfully navigate the ever-changing and complex marketplace.

Attendees are like-minded in-town and out-of-town colleagues who deal with the unique, isolating and contradictory aspects of this life and work. The network of support that has formed from these events continues to grow along with the careers. The intensive is a center point not only for current trends in performance and delivery but as well, for marketing and branding.

The price is $775. Mail your check to Tobias Entertainment Group, PO Box 15396 Beverly Hills, Ca 90209-1396, or send via PayPal to: tobiasent@tobiasent.com

I hope I get to see you there.

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5 Critical Steps

Career Advice, General, Getting started in Voiceover

Holdon Log has published a free report called 5 Things Every Actor Must Do. Not everything applies to voice actors, but much of it does.

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Real people don’t hire voiceover artists

Career Advice, General, Getting started in Voiceover, People

My friend and mentor Philip Banks recently posted some extremely helpful comments on the VO-BB on how to build your voiceover career. With his permission I reprint them here.

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What is a prospect? It’s a potential buyer of your services. So is that any business person? No, not really. You have to spend a little time qualifying your prospects before you approach them and that means before you ask the person who runs the business if he uses freelance Voice Over people you must be as sure as possible the answer is going to be yes.

A few weeks ago I conducted an experiment. Sunday morning I surfed the internet looking for a particular kind of business and sent an email suggesting that if they ever needed a voice like mine feel free to get in touch. I added that my email was a one-off and assured recipients they would not be added to a mailing list and would not contact them again unless they requested that I do so.

1 – Clearly identifed prospects.
2 – No sell, just a clear, polite suggestion
3 – END

It took me about an hour to conduct this experiment and it resulted in me being booked as the voice for an awards ceremony for a 4 figure fee. I know people who send newsletters and emails by the thousand and get very little back. I sent out 21 emails and got a booking and a few expressions of interest, my guess is that the end result will be 7 jobs.

I approach prospects most people approach suspects and suspects are no use to you at all.

Some may say to this that their agent does all this kind of stuff. Here’s a question for you agent the next time you speak to him or her in person or on the phone.

“Who have you told about me since we last talked?” Most of you will get the answer – NOBODY! If that’s the case then your agent doesn’t take care of talking to prospects about you so that means I’ll have to do it or you will …………..Guess it’s up to you.

Philip, how did you get started?” asked Jim. I told him and assumed that what I believed to be obvious would be obvious to him. Oh how wrong was I.

Get list of people and telephone them to ask if they use the services of freelance Voice Overs. Sound ok? I thought so except Jim simply got a list of local businesses and called them. WRONG. Before you make the call you need to be 90% certain that the person you are calling is going to answer yes to the question.

The trick, if there is a trick, is to spend more time digging for prospects than calling people. Right, let’s start project 100. You need 100 names and telephone numbers. What do you want to do? For whom would you like to work. You are able to do long form audio like elearning? Ok, type elearning production into a search engine. Visit the websites and look aorund, it will take time. Is there any evidence to support your theory that this company uses voices? Prove to yourself that they may find a use for you -PROVE do not guess. In the contacts or “about us” section is there a name – Joe Smith Head of production or Audio Producer – DIG DIG DIG. The more you do this the more your investigative instincts improve. From every search you need a company, tel No and contact name.

Unless you have no alternative DO NOT EMAIL – YOU MUST TELEPHONE.

“Hello my name’s Philip Banks and I’m calling to ask if you ever use freelance voice overs”

If you’ve done your homework you will get a yes. If not offered a name, ask for one, the one you already know and ask if you can speak to them for a moment.

“Hello my name’s Philip Banks and I’m calling to ask if you ever use freelance voice overs”

Assuming the answer is yes.

“Would it be ok for me to send you a demo? (before they say anything) You’re allowed to say no by the way”

In 18 years I have had one person say no to me.

“That’s great I’ll send you one today. Thanks very much”

If you are asked for a link to demos on a web site do that instead of a demo CD.

Here’s is the BIGGIE – NEVER EVER EVER ASK FOR FEEDBACK

If you are tempted to ask for feedback

NEVER EVER EVER ASK FOR FEEDBACK

To be certain you have fully understood – NEVER EVER EVER ASK FOR FEEDBACK

You are looking for work not a critique.

Prospecting is the key. No selling required. If you have been thorough in your search for names and numbers and your demos are good enough you will get work.

As a way of finishing this piece here’s the story of a job I managed to secure over ten years ago.

I read in a newspaper that Pilots and crew of a new helicopter were going to be trained using CBT, Computer based training. On noting the name of the company I saw they were about 5 miles from me. I visited the office armed with an audio cassette.

“If you have any projects that require a professional voice please get in touch”. Note that I didn’t tell them what I knew.

As it turned out the CBT was going to be 45 hours with 38 hours of speech content. Over an 18 month period that one job earned me around $25,000.

Any specific questions about prospecting, feel free to ask. (ed: You can contact Philip here. Or me here.)

Want a demo evaluation? Pay Nancy Wolfson to give you one as it’ll be money well spent.

(Update: You’ll find Philip’s thoughts posted, along with some additional comments, on Vox Daily.)

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I am enough

Career Advice, General, Getting started in Voiceover, People

Voice Over Experts is a series of podcasts from Voices.com that has lots of interesting ideas. Here’s one excellent example from Nancy Wolfson. It’s Podcast Episode 68: I Am Enough.

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Experience isn’t the best teacher …

Career Advice, General, Getting started in Voiceover

It’s the slowest teacher. That’s a quote from my friend and sometimes teacher, Pat Fraley. Sadly,I have in fact learned several things the slow and hard way. Maybe my pain will help you avoid these mistakes in your own work.

Lesson number one: Always talk about the money right away. Years ago I was reluctant to bring up the subject of the budget for a given job or project first. (Here I’m talking about situations where someone contacts me about a job directly. When they come to me through my agent, all those details are all ready set.) A church had asked me to come record a narration for a marketing video they were preparing. They didn’t bring up money. I didn’t either. Not on the phone when they called. Not in the studio before or after the session. Then, as I was getting ready to leave, the producer, a member of the church staff said,

Thank you for your good work today. We’ll send you a check in the mail in a few days.

Sure enough, a few days later a check arrived in the mail. For $25. That was the last time I didn’t talk about the budget before we started recording.

Lesson number two: Give your clients the benefit of the doubt when a payment is late. This is one that I’m especially sad about, because I ended up hurting a relationship. Here’s what happened. I had been hired through a local radio station in a small market to serve as the signature voice for one of their clients. After some time that client decided to run some commercials on a different radio station in the same small market. But, they wanted me to continue as their signature voice. So I contacted the production people at the other station, recorded the copy they sent me and delivered the audio and my invoice to them just as I had with the first radio station.

Four months later, I still hadn’t received payment so I sent a note to the production manager at this second station noting how overdue the bill was, reminding him that I had delivered the audio they needed promptly, and asking when I might expect to receive payment. It wasn’t a mean note, but it certainly wasn’t as kindly or nicely worded as it could, indeed should, have been.

In reply I received a rather sharp rebuke from that production manager, informing me that my payment would be sent by the station right away, that they would take care of billing the end client for the money but stating in no uncertain terms that I would never work with him again. And he has been true to his word. The check arrived a few days later and I’ve never heard from him again.

As a result of this painful lesson, I’ve changed my collection practices. First, I usually contact people well before things get so far behind. Second, I always give them the benefit of the doubt that some kind of mistake in communication or accounting or some other thing has resulted in my invoice being lost, etc. Third, I try to make clear that I want to do what I can to keep lines of communication open both about billing and future work.

Lesson number three
: Always talk about deadlines right away. I’ve had a couple of near disasters in this regard as well, but the most vivid recent example comes to my from my friend Kelly, another voiceover talent here in Charlotte. She’d received an email the other day about doing a small narration project and indicating that a script would be coming from someone else shortly. The email came rather late in the day and Kelly figured that she wouldn’t have the script until morning.

Lo and behold, when she checked her email at around 11:00 PM, the client had sent her a note asking, “Where is my narration? And in the morning, Kelly got another email saying that someone else had been awarded the job instead. Kelly would have been more than willing to work late if she had known of the tight deadline, but the client didn’t mention it, so she didn’t know. I’ve made similar mistakes, so I try to always ask what the deadline is, or even more often I’ll reply with when I expect to have the job done, asking if that deadline with work and indication that if it won’t what does he or she need?

As I said, I hope these brief stories will help you avoid similar goofs in your own voiceover career. And if you have a story to add, leave a comment.

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If you don’t like to read …

Career Advice, General, Getting started in Voiceover

… you might want to find a different direction for your career. That’s the spot on advice from my friend Karen Commins in her blog post today Reading for success.

Karen is very kind to mention and link to me in that blog post so I thought I’d offer just a small insight into just how right she is that I love to read. When I was in Junior High School I read every book in the school library except the “girls” books, you know, the Nancy Drew and similar books aimed and young female readers. By the time I was in High School my passion for reading had grown even greater, so in those 3 years I read every book in the school library including the “girls” books. The only one I didn’t finish was Webster’s Third Unabridged International Dictionary. I wasn’t allowed to check it out and didn’t have enough hours during the school day to get all the way through it along with everything else I was reading.

How much did I really read? My grandmother was the librarian in the town library in our little village in Minnesota. I read so much that she, as a librarian, actually told my mother (her oldest daughter) that she thought I was reading too much! I didn’t stop me though.

Obviously, you don’t have to love reading quite that much. But Karen is right, to be a successful voice actor you do need to love to read, and especially you have to love to read aloud.

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Recording at Home and On the Road

Career Advice, General, Getting started in Voiceover, People

Jeffrey P. Fisher and Harlan Hogan have just issued an updated version of their classic book The Voice Actor’s Guide to Recording at Home and On the Road (Second Edition) providing a soup-to-nuts guide to creating an inexpensive but professional sounding recording studio in your home (or to take with you on the road).

My thanks to John Florian for the heads up about this new edition of this book. You can read more, including an exceprt from the book, at VoiceOverXtra.com.


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A converstation about "A Little Less Conversation"

Career Advice, General, People

Tom Asacker is interviewed about his latest book A Little Less Conversation subtitled “Connecting with Customers in a Noisy World” by Chris Wilson of The Marketing Fresh Peel. It’s well worth the few minutes it will take for you to click through and read.

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Some solid career advice from Tom Asacker

Career Advice, General

Tom uses the example of Walmart (or as they used to be Wal-Mart) to offer some potent insights into the substance of branding. It’s not a long post and I’m sure you’ll agree, was well worth the couple of minutes it took you to click through and read.

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Marice Tobias in South Florida

Career Advice, General, People

Marice Tobias is my voiceover coach. She only works with established professionals. Her weekend workshop in Los Angeles booked up in a matter of hours. But thanks to a unique set of circumstances, you have an opportunity to take part in a weekend with Marice in Miami next month. The dates are Saturday and Sunday, November 8 and 9, 2008. The theme for the weekend is Raising the Bar.

If you don’t raise the bar for yourself, some else is. Tobias Entertainment Group is the exclusive training and marketing resource for established voiceover careers. Clients and alumni dominate the promo, trailer, commercial & narration fields.

The professional intensive weekends have become touchstones for established talent to continually expand, enhance and elevate their craft and skills. Dedicated to the ongoing career and the challenges created by technology, time and overwhelming competition, we arm you with the latest information on style, trends and techniques to masterfully navigate the ever-changing and complex marketplace.

Attendees are like-minded in-town and out-of-town colleagues who deal with the unique, isolating and contradictory aspects of this life and work. The network of support that has formed from these events continues to grow along with the careers. The intensive is a center point not only for current trends in performance and delivery but as well, for marketing and branding. The concentration for the weekend in South Florida will be commercials and promos.

The price is $775.00 per person. I would recommend sending a payment via PayPal to tobiasent@tobiasent.com to be sure you have a place. Or, if you’d rather send a check, first email to indicate your interest and then send your check to Tobias Entertainment Group, PO Box 15396 Beverly Hills, Ca 90209-1396.

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Radio Imaging Workshop in Charlotte

Career Advice, General, People

Gabrielle Nistico is holding another radio imaging workshop in Charlotte, NC on January 24, 2009. I took part in the last one she held here and highly recommend it. The price for the day is a very reasonable $350 which includes lunch, lecture, mic time, guest speakers and a take home bag of goodies. Call Gabrielle or Eric to reserve your place. 866-810-7922.

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Study audiobooks with Pat Fraley, Scott Brick, Hillary Huber …

Career Advice, General, People

One of the smartest things I did in 2006 was take an audiobook master class with Pat Fraley and Hillary Huber. The total cost for my flight to Los Angeles, hotel room, meals, rental car and the class was a bit more than $2000. I had made that all back within 6 months and have been doing audiobook work steadily ever since, so I’m way into profit mode now.

You now have an opportunity to take an even more extensive audiobook weekend event Pat Fraley is calling The Billion $ Read. Saturday and Sunday, November 8 & 9, 2008 in Los Angeles. Pat will be there. So will Hillary. And Scott Brick. And more talented folks. This is the smartest thing you can do to launch yourself into narrating audiobooks.

If you’re still not convinced, take a moment to listen to Pat’s free first lesson from the course.

[audio:https://bobsouer.com/pix/GoodNewsNEW.mp3]

Registration details are on Pat’s web site.

(edited to correct typo)

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Acting Career Lab from Bob Fraser

Career Advice, General, Getting started in Voiceover, People

I’ve quoted Bob Fraser here quite a number of times, mainly because he has a lot of intensely valuable insights that he’s willing to share freely based on his multiple decades wearing just about every hat there in the acting business. While his weekend workshops called An Actor Works are targeted at on camera and stage actors, I’m confident there will be a ton of valuable information for anyone in the voice acting field as well. Full details are available at the An Actor Works web site.

If you’re not sure whether this is for you or not, here is a long quote from an email Bob sent a couple of days ago. It gives you just a flavor of what he’s all about …

Today I want to deliver some good news. This is especially important in the face of the weeks worth of ‘worry and concern’ being delivered to us by the media lately.

Here’s the reality for those of us who depend on show business for our living: The entertainment industry has always thrived in economic tough times.

The crash of 1897 ushered in the golden age of theatre and vaudeville. The crash of 1929 was the beginning of Hollywood’s most prolific years. The ‘downturn’ of 1987 resulted in several years of increased production and the explosion of big-budget projects.

In other words, history is on our side.

Which brings me to this: If you’re ready to really start taking steps toward improving your acting career results – now is an especially good time to invest in your business.

Many actors have asked when I was going to teach a class or have a workshop – and the answer is … ‘NOW.’

On November 8th and 9th – and December 6th and 7th, I’ll be holding a weekend intensive ‘acting career lab’ called An Actor Works. It’s going to be an exciting and life-changing program, and I hope that you can grab one of the 24 seats available at each weekend event.

In order to learn more, I urge you to get over to the site and see what is going to be included in this ‘weekend of change.’

And please, for goodness sake, don’t procrastinate regarding this decision to invest in your business – this email is going out to more than 7000 actors and there ARE only 24 seats available at each event.

Again the site is An Actor Works.

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